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...false-premise logic and steal the headlines by explosive charges of warmongering. Last week he seemed sadly hampered by the new rules imposed by the Spirit of Geneva. The relaxation it had produced in Europe was serving the Kremlin well, and Molotov was apparently under strict orders not to spoil this pleasant atmosphere...

Author: /time Magazine | Title: GENEVA: Difficult Spirit | 11/14/1955 | See Source »

...slack method. The comic pace often gets so slow that the moviegoer realizes he is, after all, at a funeral. The actors, too, sometimes behave pretty much like pallbearers, but the central idea is of such wormy charm that it takes more than an hour and a half to spoil...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 7, 1955 | 11/7/1955 | See Source »

Will Success Spoil Rock Hunter? (by George Axelrod) is a satiric free-for-all on Hollywood and sex by the author of The Seven Year Itch. There is a blonde, Marilyn-Monroeish siren, a bland Hollywood agent with satanic powers, an illiterate Hollywood producer, an idling playwright who wrote a sock first play and can't get on with a second. And there is a shy, not very bright young fan-magazine writer who, by selling his soul in 10% slices to the agent, becomes a modern-day Faust...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Oct. 24, 1955 | 10/24/1955 | See Source »

...playwriting, Will Success Spoil Rock Hunter? often badly slithers; and as satire, it is too often a mere family joke. More surprisingly, the sap in Playwright Axelrod's spoofing suddenly turns to syrup. Kidding the blonde siren at the start, Will Success offers a lowdown but lively Monroe Doctrine; championing the playwright at the end, it provides a weirdly solemn Declaration of Independence. (By this time, in Hollywood plays, integrity should be seen and not heard.) And in all the final putting things to rights, there is no trace of irony. If Hollywood filmed Faust, Faust might be expected...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Oct. 24, 1955 | 10/24/1955 | See Source »

Blood Alley (Batjac Productions; Warner). Spare the celluloid, according to Director William A. ("Wild Bill") Wellman, and spoil the picture. His last three films (Island in the Sky, The High and the Mighty, Track of the Cat) have run to an average length of two hours. Encouraged by the business they brought in-The High and the Mighty has already grossed more than $7,000,000-Director Wellman has apparently decided that when people go to the movies they want to kill time, no less than to live dangerously. In Blood Alley, he gives them plenty of chance...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 17, 1955 | 10/17/1955 | See Source »

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