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...merit. The best job is young Actor T. C. Jones's female impersonations, especially of Tallulah. Short-haired Billie Hayes makes a lively ditty of / Could Love Him, Virginia Martin a lively ditty of Talent. In La Ronde a foursome smoothly act out a liltish tune. Funniest spoof proves to be one more take-off on a big Ziegfeld-era staircase number, with a showgirl, rigged out like an entire orange grove, having a ghastly time on the stairs. There is fun in Steady, Edna, which rags a British jungle film, while an upper-class British domestic skit...

Author: /time Magazine | Title: The Theater: New Revue in Manhattan, Jun. 25, 1956 | 6/25/1956 | See Source »

...somewhat dubious curative results, has been granted too much authority and credence at some levels of 20th century life. The book's occasional hemlock-bitter jibes at "Fraudism" may even tempt some blither-spirited novelist to give psychoanalysis what it often begs for, a full hypodermic of spoof juice...

Author: /time Magazine | Title: Books: Mallet of Malice | 5/14/1956 | See Source »

...brilliant shift of its dialectic, the Poet's Theatre has sided with comprehensibility this month, and come up with a rousing, if not always consistent, spoof of early and silent Hollywood. Much of poet John Ashbery's original play is quite funny...

Author: By Gavin R. W. scott, | Title: The Compromise | 4/12/1956 | See Source »

...specially consistent, but he has all the sweeping charm and confidence of the Northwest hero. Janice Thresher, as his ever-dithering wife, does well to play her role completely valiantly, because it is important that she never lapse into obvious contempt for what she is trying to spoof. Joe Hudak's leers, in characterizing the villain, have an ambiguity which cleverly both underscore the mock melodrama and cynically comment on it. His violence and forcefulness have a very convincing feigned ugliness. The part of the author, played by Hugh Amory, is honest, and therefore very incisive and highly amusing. Unfortunately...

Author: By Gavin R. W. scott, | Title: The Compromise | 4/12/1956 | See Source »

...waltz in which boys lugged girls onstage like grainsacks, let them dance a bit, then lugged them off again; 2) a dizzy rain scene, with umbrellas flapping open and shut; 3) the "Minute" Waltz, timed by a football second hand and ending precisely at 60 seconds. Best spoof of all was the "mistake" dance: one girl or another always managed to have arms up when the rest had them down or to be facing the audience when the rest were faced about, etc.-old stuff, but done with a deadpan zip that had the real audience howling. Just about half...

Author: /time Magazine | Title: Music: Fun at the Ballet | 3/19/1956 | See Source »

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