Word: spoofer
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Dates: during 1970-1979
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Gardner has set himself roles wor thy of Hercules or a one-man band: the hilarious spoofer of pulp fiction, the composer of Kierkegaardian monologues good and evil, the mini-historian of science, progress and civilization, and the pastoral poet. In addition he rounds off his complex work on a note of affirmation that the reader may find more determined than logical, like the highnote climax to a trumpet solo. For the hyphen that Gardner most ardently longs for is the one that might connect night to day, lost to found, chaos to order-all the enemies, all the opposites...
Thingmaker Emett is that most insidious of subversives, a spoofer who makes existential sense. A nostalgic-romantic artist-humorist social commentator-engineer whose furbelows and feathery drawings are familiar to longtime readers of Punch and LIFE, he is a man with one hand at the controls of Nellie, "senior engine" of Far Tottering O.C.R.R., and the other outstretched for hot buttered crumpets on the moon...
...goose-pimply fun house is distinctly different from a childlike romp through aphrodisiacal Jovian glades and bedrooms. It de-eroticizes Ovid. He has been altered, as one says of a cat. Ovid was a great worldly poet and wit. Arnold Weinstein, who freely adapted the Metamorphoses, is an infectious spoofer keenly aware of the uses of anachronism, from which much of the evening's humor arises...