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...quasi-religious connotations; most important, the automobile and the automobile industry no longer call the tune and set the tempo of American life." One major reason for this shift in attitudes, Flink thinks, is young Americans' sweeping indictment of the car for contributing to "environmental pollution, urban sprawl, the decay of the center city, the decimation of our remaining wilderness areas." He did not predict what will take the auto's place as a predominant American force...

Author: /time Magazine | Title: Environment: Week's Watch | 1/10/1972 | See Source »

...legislature next week, would compel developers to get an official certificate that sufficient water was available and that proper sewage-disposal facilities would be installed. "We've already got various tools-zoning and transportation-to stimulate the economy of Colorado's small towns and to prevent urban sprawl," Love says. "Water would be the ultimate tool...

Author: /time Magazine | Title: Environment: Saving the Slopes | 1/10/1972 | See Source »

Gerbil Cages. Weber-style classes overflow into nearby corridors with an abundance of playthings that teachers in regular classrooms use only sparingly. There are cages of gerbils, collections of shells and leaves, art corners, carpeted areas where children can sprawl while they read. To encourage math and science, there is more than the usual amount of measuring equipment, from tape measures to stop watches. To encourage reading and writing, most of the materials have "activity cards" posing questions. Near a science book lying on a second-grade windowsill, for instance, the card asks: "Do you think our tree...

Author: /time Magazine | Title: Education: Sober Chaos | 1/3/1972 | See Source »

...naked figures, faces obscenely eroded by electric-blue shadows, sprawl on a bed. A man huddles like a baboon on the edge of what might be a swing, a coffee table or a hangman's drop. A Pope howls silently behind glass...

Author: /time Magazine | Title: Art: Out of the Black Hole | 12/13/1971 | See Source »

Only one example of Director George Hamlin's all-inclusive application of energy and finesse is the night-time revel following Othello's arrival at Cyprus. A party of drunken soldiers and whores idle and sprawl with calculated precision to Iago's song-leading, and when Roderigo pursues an intoxicated Cassio (Michael Gurdy) onstage for some extravagant swordplay, the scene bursts into a Shakespearean streetfight. Hamlin's careful blocking makes every drunken soldier's drunken move part of one grand theatrical effect--and everything meshes neatly behind Cassio's supremely pathetic disclaimers of intoxication. Half the tension of the scene...

Author: By Bill Beckett, | Title: Othello | 11/13/1971 | See Source »

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