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...financial spark for Edwards’ vaccine spray comes from a $7.6 million grant from a charity whose endowment tops even Harvard’s—the Bill and Melinda Gates Foundation. The foundation, through its contributions to professors like Edwards, is shaking up a quarter-century-old practice that has placed research universities between titans of government and industry...

Author: By Nicholas M. Ciarelli and Daniel J. T. Schuker, CRIMSON STAFF WRITERSS | Title: A New Deal On Lifesaving Drugs | 11/13/2006 | See Source »

Edwards, the McKay professor of the practice of biomedical engineering, has developed an innovative technique for vaccinating patients against TB. His approach administers the vaccine through an inhaled spray, rather than the typical needle...

Author: By Nicholas M. Ciarelli and Daniel J. T. Schuker, CRIMSON STAFF WRITERSS | Title: A New Deal On Lifesaving Drugs | 11/13/2006 | See Source »

Typically, Harvard licenses its faculty’s cutting-edge discoveries to for-profit companies, earning royalties in return. But this time, Harvard is taking the unusual step of forgoing much of its royalties on Edwards’ TB vaccine spray both in the U.S. and abroad...

Author: By Nicholas M. Ciarelli and Daniel J. T. Schuker, CRIMSON STAFF WRITERSS | Title: A New Deal On Lifesaving Drugs | 11/13/2006 | See Source »

...state of mind... hint: there could be something that at first seems false. but things are never what they seem" - could be a useful guide for visitors to the retrospective, which opens this week. Seeing Arkley isn't as easy as his work makes it look. His distinctive "after-spray" outlines over fields of kinetic patterning and color constantly tempt the eye to shift focus; figurative becomes abstract and vice versa; painting and sculpture merge...

Author: /time Magazine | Title: The Neon Backyard | 11/12/2006 | See Source »

...this sense he was as close in spirit to Keith Haring as he was to Klee, and if the book has a fault, it's that it stints on his formative punk years in the '70s and '80s, assuming everyone has read Ashley Crawford and Ray Edgar's Spray: The Work of Howard Arkley (1997). As they documented, it was his 1981 mural Primitive, named after a song by The Cramps, that saw Arkley paint his way from an abstract to a figurative style. Perhaps it was his life-long love of doodling that drew him to the airbrush...

Author: /time Magazine | Title: The Neon Backyard | 11/12/2006 | See Source »

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