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...part of their prevention efforts, some squads have adopted near-vigilante tactics. In East Lansing, Mich., members of the rape crisis center are said to have scrawled "rapist" on a suspect's car, spray-painted the word in red across a front porch, and made late-night warning telephone calls. In Los Angeles, the squad has adopted a counter-harassing strategy: when a woman called to complain that a neighbor followed her whenever she went out, squad members followed the follower for three days. That was enough to make him change his ways...

Author: /time Magazine | Title: The Sexes: Women Against Rape | 4/23/1973 | See Source »

...smooth field, and finally can be observed as mere drops.) Olitski's characteristic banishment of all drawing to the edges of the canvas appears soon afterward, in paintings like Tin Lizzy Green, but comes into its real success only in 1965 after Olitski begins to apply the paint with spray guns...

Author: By Phil Patton, | Title: To the Edge and Back | 4/21/1973 | See Source »

...addition, he conquers many of the problems of scale which have bothered some other abstractionists, particularly Kenneth Noland. Abstract pictures have usually been able to be successful only on enormous canvases; Olitski works equally well in room-sized paintings and in small ones. His spray technique has a finer grain, so to speak, than staining or brushing, and it creates surfaces which because they cover the canvas completely are not immediately scaled by the weave of the cloth. And in his paintings of this year and last, particularly the Other Flesh series, he employs rollers and sponges with a syrupy...

Author: By Phil Patton, | Title: To the Edge and Back | 4/21/1973 | See Source »

...expert confuses every fifth or sixth line of dialogue with the title of a Dickens novel, which is fairly hilarious all by itself. Another laugh-bulging scene is a Madison Avenue group-think probe, complete with gestures à la charades, as to why a cleaning company's detergent spray produces mud when a housewife uses...

Author: /time Magazine | Title: The Theater: Babbling Dervish | 4/2/1973 | See Source »

Fortunately, one could always concentrate on the novel doings upstage. There, standing before three huge, upwardly unwinding panels of paper, toiled a happy handful of subway graduates who used spray-paint cans to demonstrate that most up-to-date and with-it of minimal arts-graffiti...

Author: /time Magazine | Title: Dance: Flimsy Fun | 3/12/1973 | See Source »

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