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...cutting off technology is just one example of Deep Springs?? attempts to isolate itself. Strict rules and long academic terms prevent students from leaving for much of the year, and the campus is surrounded by desert on all sides...

Author: By Francesca T. Gilberti, CONTRIBUTING WRITER | Title: Back from the Ranch | 12/6/2006 | See Source »

...Despite the top-notch quality of its students, Deep Springs?? community has critics. Over the past two years, Deep Springs has received an influx of media coverage with prominent articles in The New Yorker and Vanity Fair. Both articles tout the cowboy-intellectual aspect of the college, and students say in doing so the articles missed the meaningfulness of Deep Springs...

Author: By Francesca T. Gilberti, CONTRIBUTING WRITER | Title: Back from the Ranch | 12/6/2006 | See Source »

...Although Deep Springs charges no tuition fees, the school faces losing outstanding applicants to other top institutions that guarantee a financially-needy applicant four years of financial aid, as opposed to Deep Springs?? two. For some students, two years in the desert isn’t worth the perceived risk...

Author: By Francesca T. Gilberti, CONTRIBUTING WRITER | Title: Back from the Ranch | 12/6/2006 | See Source »

...Chattanooga Springs?? is one of the most reflective and haunting pieces in the show. Set to the Decemberists’ “Here I Dreamt I Was an Architect,” it uses the setting of classic small-town America to comment on the corruption of modernity. Through the loss of its characters’ innocence—a boy takes a swig of alcohol for the first time, another takes the orange that a blind girl is carefully peeling and bites into it almost maliciously—the piece becomes a bittersweet expression of regret...

Author: By Mary A. Brazelton, CONTRIBUTING WRITER | Title: Dance Review: Stepping Out of the Dancer’s Box | 12/6/2004 | See Source »

Jetta G. Martin ’05 follows “Springs?? with a solo performance in “Emergence,” demonstrating an astounding ability for intricate footwork. Her complex choreography brings order to a cacophonous blend of Bjork and Kelis, “Oceania,” with increasingly dramatic spirals around the stage that mirror the growth implied in the title...

Author: By Mary A. Brazelton, CONTRIBUTING WRITER | Title: Dance Review: Stepping Out of the Dancer’s Box | 12/6/2004 | See Source »

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