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...Hunter, once the driving force behind Mott the Hoople, released an album with half of Springsteen's band three years ago that was chock full of tunes and was played to win. You're Never Alone With a Schizophrenic was melodic, introspective, and fun. Now Hunter has returned to his homeland, hooking up with half the Clash, and the production hand of Mick Jones has added the 'Clash sound' to Hunter's--laser gun synthesizers, up-front guitars with a wall of various whatevers always in the bacgrould. The results are mixed. Somethines Jones pulls up an average song, like...

Author: By David M. Handelman, | Title: The Demons of Pseudo-Euro-Disco; Jeffreys, Hunter, Kinks & Stones Redux | 10/29/1981 | See Source »

...Jones Apparel Group, which makes her sport sweat line. "When we started getting reorders from Midwest counties not known to jump on a fad, we saw she was a universal trend." Adds Jeff Gersten, co-owner of Chicago's Sugar Magnolia boutique: "Just as there are Bruce Springsteen heads, there now are Kamali heads...

Author: /time Magazine | Title: Living: The Hot-Selling Locker Room Look | 10/5/1981 | See Source »

...bare-knuckled and open-hearted approach to country music has consequently created a fair amount of confusion. His manager has compared him with Bruce Springsteen, presumably to get rockers to pay a little heed, and his record company just acts stymied. Ely puts up an almost reflexive resistance to any discussion of categories-"I don't like definitions," he says, "and I write my own labels"-but he has a lively awareness of where he has come from and where country music is going. "Nashville's problem is that it is always filling the air waves, like...

Author: /time Magazine | Title: Music: Riding High with Hard-Luck Guys | 5/11/1981 | See Source »

...young director with one movie under his belt (the insipid Thunderbolt and Lightfoot), sold the British recording company EMI the idea for a terrific film--a gut-wrenching Vietnam drama. The Deer Hunter. A hot idea, Vietnam laced with contemporary American pop romanticism. The Vietnam War the way Bruce Springsteen would probably sing about it. Workin' class guys, they go and they fight for their country, 'cause their country ain't so great, you know--it's real bad sometimes--but they go anyway, 'cause it's their country and they're men. So you get tortured in P.O.W. camps...

Author: By Jacob V. Lamar, | Title: Coulda Been a Contenda | 5/1/1981 | See Source »

...studio musicians. Jeffreys employs the talents of such varied strummers and hummers that one would expect the album either to compromise the individuality of the artists involved or to quash any originality on his own part. Not so. Instead, through members of two of the tightest bands in rock, Springsteen's keyboardists and the Rumour's rhythm section, he brings coherence to music from both sides of the Atlantic. He also employs guitarist Adrian Beiew and vocalist Nona Hendryx, fresh from sessions with the funk-ified Talking Heads, and David Johanssen and Lou Reed, two of New York's most...

Author: By David M. Handelman, | Title: The Great Escape | 4/10/1981 | See Source »

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