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Honest, now: Can you be a veteran fan and still respond as rock 'n' roll demands you respond -- by belief, by passion, by always raising the stakes -- to performers who may be a quarter-century younger than you are? You could do it with Springsteen; you both were younger then. You did it with U2. But for somebody new? Was rock 'n' roll, forever young, finally middle-aged...

Author: /time Magazine | Title: The Rolling Stones: Roll Them Bones | 9/4/1989 | See Source »

...will probably fall well short of 100,000. Still, the concert's packager, Showtime Event Television, is pursuing other big stars for PPV events, and industry executives are bullish. "We're building an electronic arena," says Jeffrey Reiss, chairman of Request Television. "The day will come when Bruce Springsteen will be playing pay-per-view at the end of his tour. We're betting on the future...

Author: /time Magazine | Title: Video: Pay-Per-View Starts Perking | 3/6/1989 | See Source »

Onward, ever onward. The music business means to turn VCR fanatics, who spent $7.5 billion buying and renting tapes in 1987, into music freaks. Two major artists from Columbia Records (owned, of course, by Sony) have become point men in this brand-new marketing assault: Michael Jackson and Bruce Springsteen, who are both releasing new, ambitious feature-length video albums...

Author: /time Magazine | Title: Show Business: Magical Tours | 1/23/1989 | See Source »

...Boss's Video Anthology/1978-88 is due in stores Jan. 31. Springsteen's video is, in contrast to Jackson's, refreshingly modest and small-scale, as if he shook out the video scrapbook and passed along some souvenirs. Although approximately a third of the 100-min. tape is taken up with material from the 1987 Tunnel of Love album and tour, most of the gems date back a bit further. An early video of Rosalita, made a decade ago, has a real scruffy, low-tech charm. Springsteen quickly learned not only how to play to the camera but how to work...

Author: /time Magazine | Title: Show Business: Magical Tours | 1/23/1989 | See Source »

Lighting is ably handled by Patrick Gurian, and some tricky special effects seem to run as planned. Director Jeff Hass also makes good use of the less than optimal performance space of the Currier House fishbowl. His updating of the script, with details like Bruce Springsteen and Sugar Ray Leonard, is on the whole useful and unobtrusive Especially amusing is Pendleton's query to an angel, "How's Elvis doing these days...

Author: By Will Meyerhofer, | Title: Heaven Sent | 12/9/1988 | See Source »

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