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...with a simple olive wreath as a prize. They sought gifts and money. [Heartened yet?] The games, instead of being patriotic and religious festivals, became carnivals, routs and circuses." Halted by the Roman Emperor Theodosius in A.D. 393, they did not resume until 1896, in which hiatus the world spun reasonably well without them...

Author: /time Magazine | Title: Essay: Why Do We Go from Here? | 5/21/1984 | See Source »

...dancers obviously enacted a story, but the plot was almost usurped by the dancing itself. The dancers spun their arms in figure eights, lifting each other higher and higher, lunging, Kicking and contracting. The music added other dimensions to the work as when it broke off into a tribal beat in the middle...

Author: By Andreu Fastenberg, | Title: Sheer Energy | 4/17/1984 | See Source »

...Saint James (McMillan and Wife; The Name of the Game), is a witty reinterpretation of The Odd Couple, plus three children. Both women are unabashedly in their 30s, divorced and skeptical about the mating game. If Pleshette Mary Tyler Moore developed a split personality, her two halves could be spun off as Kate and Allie. Played in wound-up preppie style by Curtin, Allie is the kind of roommate who makes meatloaf while wearing 5 pearls. Kate, a low-key tomboy, tries to unstarch Allie by taking her camping: "Come on, I'll teach you to make a fire...

Author: /time Magazine | Title: Video: On the Town on the Tube | 4/2/1984 | See Source »

...great idea. Last month Shirley Bernstein took one look at the busy renovations going on across the street from her Park Avenue place and her head spun. A deli? Not on her block...

Author: /time Magazine | Title: Food Fight | 3/12/1984 | See Source »

...unique qualities. Her trademark was the seemingly effortless ability to sustain a note so long that the orchestra could play phrase after phrase of the melody. Said the Merm: "I take a breath when I have to." What she called her "take-charge" manner was so unlike the spun sugar of other musical-comedy performers that composers shaped songs for her. Among the standards that still call her voice to memory are You're the Top from Anything Goes (1934), There's No Business Like Show Business from Annie Get Your Gun (1946), and Everything's Coming...

Author: /time Magazine | Title: She Had Rhythm and Was the Top | 2/27/1984 | See Source »

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