Word: squats
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Dates: during 1980-1989
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...They are, in their own way, as much a part of TV history as Lucy, Uncle Miltie and the Great One. Their names were Pinky, Blinky, Inky and Clyde, but most people knew them simply as the squat, ghostlike monsters who scurried around a maze trying to gobble you up in the most popular video game of all time, Pac-Man. Remember the tinkly computer tune that signaled the start of each game? The "power pellets" that changed the monsters' color to blue and turned the chasers into the chased? The animated "half-time show" that appeared after two mazes...
When officers entered the darkness of the 15-by-25-ft. shack, they found a squat iron kettle whose contents suggested that more than just a band of ruthless killers had been at work. Inside the pot, resting in dried blood, were a charred human brain and a roasted turtle. Other containers held a witch's brew of human hair, a goat's head and chicken parts. After arresting and questioning four suspects, the Mexican police pieced together a horrific tale of a voodoo-practicing cult of drug smugglers who believed that orgies of human sacrifice would win satanic protection...
...younger artists squat. Some work in crumbling tenements scheduled for $ demolition, dank shells with tangles of extension cords carrying bootleg electricity up their gapped stairwells. Here they agonize about the "spiritual crisis" with which glasnost has confronted Soviet artists -- the sudden conversion of "dissident" art from a talisman to a commodity. One hears 28-year-olds, too young to remember the '60s, waxing nostalgic over the "purity" induced among artists by former repression...
...Marxist terms as "an artist of the people" miss the point. Goya had many disillusioned moments, and by the last years of his life, when -- sick and old and bitterly disappointed by the betrayal of the liberal Spanish constitution at the hands of that squat reactionary King, Fernando VII -- he moved to France, they became a continuous pessimism. He never idealized the Spanish proletariat: it was el populacho, the 18th century "mob," a many-headed beast capable of every atrocity and stupidity as well as sublime moments of collective courage...
...suppressed radiance in Rembrandt's midtones. And there is atmosphere too. One particularly senses it in Kossoff's view of Christ Church in Spitalfields. This tall, slender building, designed by the English baroque architect Nicholas Hawksmoor, acquires a comatose power; the columns of its portico look as thick and squat as those of Karnak, repeating the compression of Kossoff's nudes and heads. But it is the light that one most remembers, a pale, almost chalky emanation from the grainy whites and subtle grays that seems to bathe and lift the whole image. Substance is light. Such paintings, and others...