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Word: squez (lookup in dictionary) (lookup stats)
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...history of art is strung together by the travel logs of the masters: Velásquez arriving in Rome, Gauguin going native in Tahiti, Picasso setting off for the lights of Paris. Inevitably, though, no matter how far they go or how long they stay away, every artist's body of work reflects the tension between all the expeditions and the home turf where the journey began...

Author: /time Magazine | Title: Rediscovered Master | 3/29/2007 | See Source »

...After yet another girl jerked him around, Felix P. Johnson ’03 channeled his frustrations toward a 1,000-piece Velásquez jigsaw puzzle. “One bitch, many faces,” he muttered over and over to himself. “And where the fuck does this fucking blue piece with a yellow spot go? Fuck you, bitch! You said you loved...

Author: By Ben D. Mathis-lilley and Ben C. Wasserstein, CRIMSON STAFF WRITERSS | Title: GOSSIP GUY SPECIAL | 12/12/2002 | See Source »

...After yet another girl jerked him around, Felix P. Johnson ’03 channeled his frustrations toward a 1,000-piece Velásquez jigsaw puzzle. “One bitch, many faces,” he muttered over and over to himself. “And where the fuck does this fucking blue piece with a yellow spot go? Fuck you, bitch! You said you loved...

Author: By Gossip Guy, CRIMSON STAFF WRITER | Title: GOSSIP GUY! | 3/7/2002 | See Source »

...acutely sensitive, was giving its most reverent attention to his Rive Gauche collections, and so the couturier decided to teach his critics a lesson. Using lavish matierials, he created dazzling sequences of adornments fit for the queens of legend: Spanish motifs that might have been painted by Velásquez, extravagent conjuries of ancient China and, most famous, the Russian-inspired "rich peasant" collection that was front-page news for the New York Times in 1976. The theme was copied internationally in every price range, and reflections of it can still be seen in Saint Laurent's own work...

Author: /time Magazine | Title: Living: Toasting Saint Laurent | 12/12/1983 | See Source »

...flat (or at least shallow) pictorial space. Lone figures like The Fifer and Matador Saluting were posed against a background too flat to be a room, too brown to be outdoors; it was no more than a neutral backdrop, an exaggerated version of the depthless space behind Velásquez's portraits and some of Goya's. This concern for silhouette and two-dimensional compression could be seen as the progressive missing link between illusion and the flatness of classical modernism. Thus it tended to monopolize discussions of Manet and, on the side, to exaggerate the importance...

Author: /time Magazine | Title: Art: The Most Parisian of Them All | 9/19/1983 | See Source »

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