Word: squid
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...recoil in a collective say what? Should one judge a movie's artistic merits based on how annoyed you are by its characters? No. If likable is what you're looking for, it is inadvisable to trot off to see a Baumbach movie (Margot at the Wedding and The Squid and the Whale featured comparable creeps). That Greenberg has merits is undeniable. Gerwig, a funny mix of Kate Winslet and the joyfully ditzy young Diane Keaton, should end up a star. Stiller dials back his own schtick and deserves to be taken seriously; the scene where he awkwardly snorts cocaine...
...clever comedy that finds the director’s vision coinciding with pure entertainment for the first time in years. A stop-motion animated riff on Roald Dahl’s classic book, the film reunites Anderson with frequent screenwriting collaborator Noah Baumbach (director of “The Squid and the Whale”), casting George Clooney as the title character in a war for land and life against a trio of demonic factory-farmers. Clooney is the latest in a line of charismatic paterfamilias—common in the director’s films—whose hubris...
...Clooney is the Danny Ocean of canids, with the complication of paternity. The family vibe here is as tense as in earlier films by Anderson (The Royal Tenenbaums) and Baumbach (The Squid and the Whale) but with a stalwart, creative dad who will somehow make things right. There's a similarly fruitful tension between the movie's hip, careless tone and the painstakingly retro stop-motion technique. The result is not a collision but a concerto and, for audiences, harmonic bliss. (Read "George Clooney: The Last Movie Star...
...recent New York Times piece, Tufts University’s Maryanne Wolf, author of “Proust and the Squid: The Story and Science of the Reading Brain,” feared the trend the vook might encourage: “Can you any longer read Henry James or George Eliot?” she asked. “Do you have the patience...
...characters (there are just seven speaking roles in the picture) are known only by the names of cities they come from or hope to get to. They also represent four types familiar from other genres. Columbus, for example, is your standard teen-nerd hero. Played by Jesse Eisenberg (The Squid and the Whale) with a confidence that proves Michael Cera does not have a copyright on bright, inward, fretful, sexually underemployed young men, Columbus locks himself in his room, safe from all contact, human and other. So the sudden, desperate door-banging of the hot chick from the next apartment...