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Word: stabat (lookup in dictionary) (lookup stats)
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...Glee Club and Choral Society have just issued a 12-inch record of Sixteenth Century music, mostly Palestrina, with selections of Byrd, Lassus, and Amerio (Cambridge, CRS405). Some of this is a reissue of an earlier 10-inch disc. The major section, which is new, is Palestrina's Stabat Mater, sung with freshness and purity...

Author: By Paul A. Buttenwieser, | Title: Sacred Polyphony | 5/9/1958 | See Source »

...uniform success; the slightly blurred effect is intended to approximate the resonance of a stone church, which it does, for better or worse, depending on one's taste. Listened to in sections, this is a satisfying record, and is certainly worth owning, if only for the Stabat Mater...

Author: By Paul A. Buttenwieser, | Title: Sacred Polyphony | 5/9/1958 | See Source »

Thesis: the Radcliffe Freshman Chorus singing a cappella. Antithesis: several local instrumentalists playing baroque sonatas. Synthesis: the Chorus and a small instrumental group joining for parts of Pergolesi's Stabat Mater...

Author: By Stephen Addiss, | Title: Adams House Concert | 3/27/1957 | See Source »

When the Chorus joined the small string group, the results were less good, as lack of rehearsal meant the strings were out of tune. Much of the Stabat Mater is written for soloists: the two girls who sang the parts had agreeable voices, but not the faintest idea of how to breathe to support their tone. Luckily, the general good humor of Pergolesi's music plus some spirited choral singing saved the work from falling apart. Nonetheless, it was the impressive individual performances rather than a smooth combination that made the concert worth-while...

Author: By Stephen Addiss, | Title: Adams House Concert | 3/27/1957 | See Source »

...small double-chorus opened the all-sacred program with a performance of Palestrina's Stabat Master. This work, one of the many settings of a medieval Latin poem attributed to Jacopone da Todi, is an excellent example of Palestrina's lucid polyphony. If the chorus's presentation was marred by an occasional uneasy entrance and by prominence of individual voices, it never fell into the pitfall of monotony which too often characterizes renditions of this type of music. Instead, the long vocal lines were moulded into a dynamically sound performance...

Author: By Jim Cash, | Title: H.G.C. and R.C.S. | 3/26/1957 | See Source »

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