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...complex compositions, and the smooth delivery from lead singer Tim Fletcher weaves in and out of the guitar lines, evoking something like dark, rainy nights on a highway—or perhaps just early 1986. “Lola Stars and Stripes” features guitar squalls and staccato bleats that reveal the Stills’ influences and their subscription to the current New York school of well-dressed hipsters. “Lola, no, we’re never going to make it through,” moans Fletcher over hopeful and shimmering atmospherics. Too bad the lyric...

Author: By Crimson Staff, | Title: New Music | 10/24/2003 | See Source »

...Separating fact from speculation is tricky in Levy?s book, "Who Killed Daniel Pearl?"; he writes at times in the staccato prose of a hard-boiled novelist, casting himself as the central detective, and some of his embellishments about, say, what Pearl was thinking during his nine days of captivity, take vivid dramatic license. Though he provides few hard truths, however, he raises intriguing questions. During his many visits to Pakistan, Levy interviewed police, pored over trial transcripts, met with Pearl?s contacts and retraced the former reporter?s footsteps in Karachi. He writes that the hotel Akbar in Rawalpindi...

Author: /time Magazine | Title: On the Trail of Daniel Pearl | 9/27/2003 | See Source »

...crowd of half a million. But as the black-clad protesters streamed into Hong Kong's Victoria Park last week, they would stop for a moment to stare at the slight, unprepossessing individual. Only when he lifted a megaphone, broadcasting a familiar voice whose Gatling-gun delivery epitomizes the staccato clatter of the Cantonese dialect, were they sure. For this was Wong Yuk-man, the phenomenally popular talk-radio host who had used his bully pulpit to incite one of the world's most politically docile populaces into marching for its future. For weeks, Wong, also known by his English...

Author: /time Magazine | Title: Making Waves | 7/7/2003 | See Source »

Sendak decided to revive the opera. He asked Pulitzer-prizewinning playwright Tony Kushner (Angels in America) to write a new libretto. Kushner, immediately drawn to what he calls the opera's "timeless message of the necessity to stand up to bullies," was also enchanted by the appealing staccato of the Czech language and has folded some of its nuances into his new version. In an earlier English version, the names Aninku and Pepicek became Annette and Little Joe, cutting out delicious linguistic details from the piece. "It sounded like a 1950s biker film," says Kushner...

Author: /time Magazine | Title: Maurice Sendak : Where Young Things Are | 6/2/2003 | See Source »

...used to be my dad, snip, snip" and "I used to be a preoperative transsexual" are not lines usually found in grand opera. But they are sung in a delicate staccato fugue, by soaring sopranos and firm baritones, in the most talked-about new show in London. High culture meets the dumbed-down dregs of television in Jerry Springer--The Opera, which opens this week at London's Royal National Theater...

Author: /time Magazine | Title: It's Not Over Till The Transsexual Sings | 5/12/2003 | See Source »

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