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Word: staccato (lookup in dictionary) (lookup stats)
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Earth Opera's music is patterned and sibilant, propelled by staccato bursts of notes--and saxophone duets, drum rallies etc. each in turn play this refresher role. The songs range from wistful reminiscences to socio-political challenges. Above all, though, Earth Opera has the Rock Presence...

Author: By Salahuddin I. Imam, | Title: Earth Opera | 7/1/1968 | See Source »

...theater's corps at its reserved but authoritative best. The theme of the dance is man's lack of communication with man. Without a note from the orchestra, the dancers swoop, leap, writhe and double up in inarticulate agony. But the dance is full of sound-the staccato rhythms of the dancers' feet, their sudden grunts and cries of desperation and, as the pace increases, the amplified lub-dub of a beating heart. A blood-red column rises like a fever thermometer against the black backdrop and dramatically expands to encompass the entire stage. The ballet closes...

Author: /time Magazine | Title: Dance: Cooling It | 4/26/1968 | See Source »

...cherishes the "one Sunday afternoon" she entertained "17 gentleman callers." Blanche DuBois reveres the beauty of her father's plantation, Belle Reve. Dying of cancer, Big Daddy recalls his power as king of the Delta. In his earlier plays, Williams would rip apart this Chekhovian mood music with staccato drum bursts of violence. But in recent years he has virtually abandoned violence without discovering a substitute. Drive has succumbed to drift...

Author: /time Magazine | Title: New Plays: The Seven Descents of Myrtle | 4/5/1968 | See Source »

...Wherever death may surprise us, let it be welcome, provided that this, our battle cry, may have reached some receptive ear, and another hand may be extended to wield our weapons, and other men be ready to intone the funeral dirge with the staccato singing of the machineguns and new battle cries of war and victory...

Author: By Tom Reston, | Title: HABANA 1967 | 11/17/1967 | See Source »

...soloists, the five are diverse and brilliant. Ivers, the most aggressive, plays harp at capacity volume, punctuating his solos with sharp staccato blasts shaking him from head to toes. Tschudin, scorning more pedestrian methods, gets high on his organ and builds climatic crescendos of musical phrases. As for Hillman, the other four call him the Ghost Rider, because "he can draw fast enough to shoot a knife that's being thrown at him." He has a wonderful habit of bending the final electronic note of his beautiful guitar solos--a habit which invaliably draws a series of awe-struck screams...

Author: By Tim Hunter, | Title: The Streetchoir | 10/16/1967 | See Source »

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