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Kevin Jennings (Robert), whom. The Harvard Independent has lovingly described as a "spiritual Marxist" who doesn't live in Adams House and "doesn't give a shit," is excellent as usual. Jennings, his clipped, staccato lines and pregnant pauses packing an equally venomous wallop, superbly masters the complicated role of the misogynist husband/book publisher who is destined to live a life as unromantic as the books he rejects for publication...

Author: By Michael W. Hirschorn, | Title: Pseudo-Drama | 12/6/1984 | See Source »

...adroitness. When pro-Reagan and antiabortion demonstrators erupted noisily at the University of Texas in Arlington, Ferraro shouted, "If I had a record like Ronald Reagan's, I wouldn't want anybody to hear about it either." At another point she silenced hecklers by poking fun at her own staccato delivery: "You've figured out how to stop this New Yorker from talking too quickly...

Author: /time Magazine | Title: Election '84: A Credible Candidacy And Then Some | 11/19/1984 | See Source »

...turns clever, dominating, quick-tempered and stubborn, British Industrialist Sir James Goldsmith, 51, rarely fails to excite speculation over his next takeover target. Last week the balding, staccato-voiced conglomerateur offered Continental Group, a company that had 1983 revenues of $5 billion from products that range from tin cans to life insurance, $50 a share for its stock, or $2.1 billion in cash. Said he: "It is a very good company. We admire the management...

Author: /time Magazine | Title: Takeovers: Sir Jimmy's $2 Billion Move | 6/18/1984 | See Source »

...from his last show, Merrily We Roll Along. Sondheim long ago renounced such simple show-biz pleasures; neither Dot nor the audience gets to go to the Follies. This score is often doggedly mimetic, achieving its pointillist effects note by Johnny-one-note. Nearly every number begins with a staccato verse and chorus; it soars toward traditional musical passion only at midpoint, then withdraws into tart anticlimax. It takes a second or third hearing for ballads like Finishing the Hat, Beautiful and Sunday to betray subterranean seisms of feeling: ironic, wistful, profound, possessed. A heart beats under that starched shirt...

Author: /time Magazine | Title: Theater: Sondheim Connects the Dots | 5/14/1984 | See Source »

...Fever Swamp," with music by Peter Gordon and choreography by Bill T. Jones, followed "Isba" A short, intense work created for the male members of the Ailey Company. "Fever Swamp," celebrated their strength, robust ensemble work, technique and expression. Seemingly light-hearted, it mirrored Peter Gordon's sharp staccato "Intervallic Expressions." The music's surface--slick, square and seemingly native--veiled an inner surface ripe with irregularities and good-humored ironies...

Author: By Andreu Fastenberg, | Title: Sheer Energy | 4/17/1984 | See Source »

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