Word: staccatos
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...balance, too, the Choir excelled. Rather than a collection of sopranos with others, it was a true equality of vocal parts so necessary to Bach's complex polyphony. Richter generally chose legato articulation, but the choir handled the staccato Pleni sunt coeli passage with case. The attention paid their conductor is yet another point: Richter varied his tempi suddenly, but singers and orchestra followed right along...
...piece to great advantage. Handel's fine sense of tone color was especially evident in the oboe parts, which were beautifully played. The first movement was lively, but Johnson's tempo in the Adagio lagged painfully, lacked phrasing, and made every step of the walking bass far too staccato...
...first Rising Sun flag to fly there since 1945. As Japan's Premier Kakuei Tanaka stepped out of his DC-8, a Chinese band struck up the solemn Japanese anthem Kimigayo (The Reign of Our Emperor), then switched to the Communist Chinese anthem March of the Volunteers, the staccato marching song that Mao Tse-tung's Red Army sang during its wars with Emperor Hirohito's plundering troops in the 1930s and '40s. It was a moving beginning to a historic meeting that would end a century of hostility and reopen a dialogue between Asia...
...orchestra did not approach the buoyant subtlety and control of her playing in the first and last movements, again because of rhythmic and textural insensitivity. Moshell's monochromatic manner of conducting is at least partially responsible for such problems: a beat which does little to emphasize legato and staccato, piano and forte, and the relative importance of the various voices, is less than appropriate for a work which, like the Bartok, is essentially large-scale chamber music...
...piece seem awkward. In the second movement Haydn alternates sections of simple, broad melody (played in this case with a Brahmsian flavor), and mildly rhapsodic filigree (largely in the first violin part) which is given an ostinato accompaniment (sixteenth notes) marked both with dots and the written indication, "staccato." Only during the climax midway through the piece was this ostinato element performed according to the markings--elsewhere, these repeated notes were articulated in a smooth, 'lyrical' way. Thus the movement was robbed of both the intended contrast of the alternating elements, and the overall unity inherent in similarly-executed repetitions...