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Handsome but Coarse. Oskar Kokoschka then was a young, lean, in tense nobody. He was one of the radical group of "Expressionists" who sought, with staccato rhythms and garish colors, to "express" on their canvases tormented moods and fantasies rather than to portray fashionable, naturalistic everyday scenes. "Crazy Kokoschka," his critics called him. Archduke Francis Ferdinand, who was later to die at Sarajevo, grumbled that "this fellow's bones ought to be broken...

Author: /time Magazine | Title: Painting: Love Letters in Pictures | 3/14/1969 | See Source »

...these days, partly that Johnny Winter is the swingingest, funkiest new white blues singer to come out of the South in years. His electric guitar crackles with a kind of voltage that can only come from the gut, not an AC outlet. His singing ranges from a harsh, staccato yell to a high soprano wail. Many of his songs are his own-improvised on the spot, or written down the night before. Like Leland, Mississippi Blues, which he sang to a crowd of shouting enthusiasts recently at Manhattan's Fillmore East...

Author: /time Magazine | Title: Music: Chicken-Soup Freak | 2/28/1969 | See Source »

...line's phantasmagoria of apology and accusation calls for surrealist stage scenery and howling symbolism. A Seine barge becomes a houseboat on the Styx with doomed souls; Charon paddles with bones. Céline submerges readers in his stream-of-consciousness style, a brutal staccato in which about five words stutter out for every three dots. It sustains the impression of uncontrollable anger and unassuageable hatred as Céline rants against every contemporary literary and political figure, against the partisans who looted his apartment in Paris, against the post-Vichy government that imprisoned him. All is'"venom...

Author: /time Magazine | Title: Books: Savonarola of the Slums | 2/28/1969 | See Source »

...embroider a harmonically free, three-way dialogue. Reza and Jay-Ree brim with bright looping arches of sound reminiscent of Ornette Coleman. Soloing on Kei-Ko's Birthday March, Elvin gets under way with a humorous drum-corps pattern that soon turns into an exuberant display of staccato licks that would bring a real marching band to its knees...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

Mystical Dream. Crane was also a serious writer whose only compulsion was to portray life honestly. At his best, he wrote a bold, uncluttered, staccato prose that, like the young Hemingway's, eventually changed both the rhythm and content of American fiction. At the core of that achievement was The Red Badge of Courage, that wholly intuitive, almost mystical dream of war dredged up from his subconscious when he was only...

Author: /time Magazine | Title: Books: Young Man in a Hurry | 8/30/1968 | See Source »

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