Search Details

Word: staccatos (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Stephen Wolpe's Oboc Sonata seemed to me the only disappointment of the concert, though Marx's sprightly staccato attacks of the first movement, and a regal unison with Wuorinen which opened the third, were among the evening's most exciting moments. The piece is too long, however, and redundant; too frequently Marx seemed to shriek in the high register or growl in the vulgar buzzsaw sound for which he has been criticized...

Author: By Jacob R. Brackman, | Title: Josef Marx Recital | 5/15/1964 | See Source »

...ideal way to deliver an ironic line like, "My mouth is not full of fancy talk--only teeth." Still, the Theatre Company of Boston deserves applause for carefully avoding all "fancy talk." They play In the Jungle of Cities as literal Brecht, vintage of 1924, complete with staccato speeches and as consistent tragi-comic flippancy that fits the dialogue perfectly. Among a dozen fine performances, Penepole Laughton is outstanding as the delicate Mary Garga, who slips into prostitution after Shlink rebuffs her. Dan Morgan creates a fittingly inscrutable Shlink, and John Lasell acts as harried and erratic...

Author: By Eugene E. Leach, | Title: In the Jungle of Cities | 3/25/1964 | See Source »

Died. Jack ("Big Gate") Teagarden, 58, jazzman somewhere close to "Chicago," between Dixieland and swing, one of the great trombonists of all time, a lumbering Texan famed since the late 1920s for his staccato, yet melodic instrumental style and a sad, reedy singing voice that made classics of songs of the period (Basin Street Blues), new favorites of old standbys (The St. James Infirmary); of pneumonia and cirrhosis of the liver; in New Orleans...

Author: /time Magazine | Title: Milestones: Jan. 24, 1964 | 1/24/1964 | See Source »

This quest is electrically charged by Director Cyril Simon. Eleven actors sit facing the audience as ingenious lighting plays over them to orchestrate speeches and scenes like music, so that the playgoer feels that he is experiencing the thematic flow of the hero's life -lyrical, staccato, abrasive, brassy and blue. There are remarkable impressionistic renderings of states of feeling: the disembodied rush of a transcontinental train sucked through the vacuum of night, the empty-souled writhings of some Venice Beach bopniks. But in the end, the hero still seems incapable of drawing the bow of manhood...

Author: /time Magazine | Title: Theater: Off-Broadway, By Halves | 1/3/1964 | See Source »

Meanwhile, to keep his chronology straight, Foreman inserts newsreel footage from back home: the Rockettes try out an obstacle course; Shirley Temple marries John Agar; Bess Truman launches a flying ambulance. Cutting back to the action makes for a staccato "new cinema" pace-and for irony, tons and tons of it. Foreman likes his irony set to music. While troop trucks slog through snow, he cuts to a slide announcing: THE MANAGEMENT OF THIS THEATER WISHES EVERYBODY A MERRY CHRISTMAS AND A HAPPY NEW YEAR 1945. EVERYBODY SING! Later, there is mawkish sentiment when some gentle British folk invite Peppard...

Author: /time Magazine | Title: Cinema: Up in Arms for Peace | 12/20/1963 | See Source »

Previous | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | Next