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...Toscanini’s doing some wailing from behind a piano. Nestled beneath Law School-favorite, Cambridge Common, home to one of the best beer selections in the area, the Lizard Lounge just might be the coziest place in town to catch a show. Its crowded “stage?? —a loosely defined floor space bordered on three sides by meager seating and obstructive structural pillars—necessitates a close proximity between performer and audience. The décor is comfortable and loungy, with soft reddish light and red velvet curtains softening the stage...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: HotSpot: The Lizard Lounge | 3/1/2006 | See Source »

...legendary Cambridge indie rock club The Middle East. Drake says they’re scheduled to play in the smaller “Upstairs” venue, but has high hopes. “If we can sell out The Middle East Upstairs, then we can book the Downstairs stage??that’s where national acts play. That would be huge,” he says.Caught between world-wide accessibility and Harvard insularity, the next step for Blanks. is anybody’s guess.–Staff writer Bernard L. Parham can be reached at parham@fas.harvard.edu...

Author: By Bernard L. Parham, CRIMSON STAFF WRITER | Title: Fill in the Blanks. | 2/17/2006 | See Source »

...subsequent large group dance, Sandra Goodnough’s “Tabibtotachi” (also known as “Journey/Travelers”) brought a burst of color and energy. The red, orange, and yellow costumes accented the Tarzan-esque music, and the dancers marched on stage??dancing in unison first and later in canon.The lyrical pas de deux, “Will You Settle,” choreographed and performed in partners by a jeans-clad Walker and David L. Blazar ’06, made excellent use of the stage?...

Author: By Emily G.W. Chau, CRIMSON STAFF WRITER | Title: Ballet Delivers in Solid Second Act | 12/18/2005 | See Source »

...were able to maintain their composure, but, as the show progressed, they were hard pressed to hold back the giggles. Struggling to turn the pages in their scripts while holding props, actors continued to pour out jumbled lines, barely audible through laughter. Entering and exiting the “stage?? was a challenge in itself, occurring whenever the actors could juggle their props and scripts long enough to read the cue, or when one of the organizers barked an order from offstage: “Exit Hamlet!” Actors sheathed swords in their belt-loops...

Author: By Rebecca L. Ledford, CONTRIBUTING WRITER | Title: Hamlet Performed Off the Cuff | 12/15/2005 | See Source »

...built a successful franchise of teaching studios and later brought ballroom to the masses through television, erasing the class signifiers that had accompanied certain dance steps. At the beginning of their program, immediately following a live advertisement for Newports, Alkaseltzer, or the like, my grandmother would glide onto the stage??SNL style—perform a short monologue and encourage her audience: “Add a little fun in your life: try dancing.” I have a sneaking suspicion she wouldn’t approve of her descendents giving up the classics...

Author: By Victoria Ilyinsky, | Title: Sex, Swing, and Stereotypes | 12/8/2005 | See Source »

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