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...portraits,” Ur writes in e-mail. While the orchestra and set-and-tech crew mostly have free rein, Krause provides few guidelines for them to follow when creating the musical and visual settings. He explains to them the vision that he wants to create on stage??Thompson, Tsurumi, the orchestra, and the tech crew interpret that vision into art.“I explained my thoughts and painted pictures with my words as to what I was looking for,” Krause says. His matter-of-fact attitude definitely speaks for the faith...
...springs out of nowhere, but it is crucial to the overall balance of the composition.We moved next to examine a pair of pastels that demonstrated how Degas could utilize the same medium in very different ways. The use of the pastel in “Two Dancers Entering the Stage?? was “so free, so energetic,” Wolohojian says, contrasting with its velvety, lusher application in “Chanteuse de Café.”Wolohojian also describes how the background of “Chanteuse de Café” creates...
...great singer and performer, especially on the standout “I Don’t Need No Doctor,” which featured a burning double-time jazz-improv section. And yet, whenever Versace was not singing or playing, he tended to retreat to the wall behind the stage??or, worse, to the band room. This behavior, reminiscent of Zeppelin’s infamous departure from the stage during a performance of drum-centric “Moby Dick,” was somewhat bizarre, as Statham seemed so involved when on stage. Scofield himself was inventive...
Students in Glauber’s freshman seminar—Freshman Seminar 25u, “The Atomic Nucleus on the World Stage??—said his devotion to physics and teaching is obvious, even though the seminar only met for the second time yesterday...
...largest space in the three-room exhibit, for example, contrasts sculptures cast in bronze, like “Little Dancer, Aged Fourteen,” against the rich colors of “Two Dancers Entering the Stage?? and other works of ballerinas in rehearsal...