Word: stage
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Dates: during 1910-1919
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...preparations are already being made by the committee, of which A. E. MacDougall '18 is chairman, and no expense will be spared in the arrangement of the program and the menu. Although no announcement of the entertainment has been made, the program will contain both artists of the professional stage and talented members of the class. R. E. Sherwood '18 will act as toastmaster...
...that when a controversy has taken on a certain form it is impossible for us to get outside the presuppositions of that form. Dr. Flexner says: 'Teach science and practical craftsmanship.' We immediately take for granted that this means no Latin. Straightway the representatives of the classics take the stage as Dr. Flexner's principal opponent...
Grant Mitchell as John Paul Bart, the man of destiny, could not fail to succeed the moment he stepped upon the stage. Unlike "Bunker Bean" he has none of that ethereal something which makes him believe in his success. He is practical, alive, masculine from beginning...
...Tailor Made Man" by its reception last night seems assured of a deserved success. The Boston stage has offered nothing so unhesitatingly clever this year...
...Hudson, "The Purple Land"; H. H. Knibbs, "Riders of the Stars"; E. H. Knows, "Play Production in America"; G. H. Mair, "Modern English Literature"; W. de la Mare, "The Listeners and Other Poems"; A. B. Maurice, "The New York of the Novelists"; Helen McAfee, "Pepys on the Restoration Stage"; Patrick McGill, "The Red Horizon"; E. P. Oppenheim, "The Hillman"; Arthur H. Quinn, "Representative American Plays"; Thomas H. Reed, "Form and Functions of American Government"; Elliott Richards, "Julia Ward Howe, 1819-1910"; E. S. Roscoe, "Robert Harley, Earl of Oxford"; G. W. E. Russell, "Portraits of the Seventies"; Paul Sabatier...