Search Details

Word: stage (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Semper Paratus. In Provincetown, Mass., police took a second look at George Ash Gaines, arrested him, extracted sun glasses, vitamin pills, stage money, scissors, surgical throat lights and 212 other odds & ends from the two suits he was wearing...

Author: /time Magazine | Title: Miscellany, Aug. 16, 1948 | 8/16/1948 | See Source »

...Reinhardt's old Faust scenery had been ripped off the open stage of the Archbishop's riding school behind Salzburg's Festspielhaus. In its place workers had put up a simple Ionic-columned portico for this year's big show: an ambitious production of Gluck's Orpheus and Eurydice by ambitious Conductor Herbert von Karajan (TIME...

Author: /time Magazine | Title: Music: Orpheus in a Riding Academy | 8/9/1948 | See Source »

...Karajan had the help of two crack stage directors, Hans Caspar Nehar and Oskar Fritz Schuh, who had studied under Reinhardt in Berlin. They gave the production two notable Reinhardt touches. After Eurydice's funeral, the mountain wall which towers up behind the stage came alive with song; a chorus of 65 demons had been strung along its side. In the following scene, in which Orpheus arrives in Elysium, the theater's canvas roof was rolled back, revealing a starlit summer...

Author: /time Magazine | Title: Music: Orpheus in a Riding Academy | 8/9/1948 | See Source »

...conducting two of Mexico's seven symphony orchestras. His conservatory is full of students able for the first time to get complete training without leaving Mexico (although his critics impatiently say that "it hasn't yet produced one first-rate anything"). This fall the Institute will stage three commissioned one-act operas on Mexican themes. The drama department is drawing crowds. Chávez had cannily priced the tickets just under the cheapest movie in town...

Author: /time Magazine | Title: Music: Director or Dictator? | 8/9/1948 | See Source »

...director, Griffith hit the picture business like a tornado. Before he walked on the set, motion pictures had been, in actuality, static. At a respectful distance, the camera snapped a series of whole scenes, clustered in the groupings of the stage play. Griffith broke up the pose. He rammed his camera into the middle of the action. He took closeups, crosscuts, angle shots and dissolves. His camera was alive, picking off shots; then he built the shots into sequences, the sequences into tense, swift narrative. For the first time the movies had a man who realized that while a theater...

Author: /time Magazine | Title: Cinema: Last Dissolve | 8/2/1948 | See Source »

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