Search Details

Word: stage (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

Radio's outdated version of the U.S. farmer-a Mortimer Snerdish bumpkin borrowed from the burlesque stage-has changed radically in the last month. In a new quiz show called R.F.D. America (Mutual, Thurs. 9:30 p.m., E.S.T.), the real farmer turns out to be an alert, articulate, well-schooled young man-with no straw in his hair and no quid in his cheek...

Author: /time Magazine | Title: The Farmer Takes a Mike | 1/5/1948 | See Source »

Tagliavini had met buxom Pia Tassinari (still her stage name) in Sicily during the war. They were singing opposite each other in Mascagni's L'Amico Fritz in Palermo. Suddenly the air-raid sirens screamed. Audience and singers scurried for shelter. Then Tenor Tagliavini, who had taken an instant shine to the black-eyed soprano, got his chance. In the darkness of the shelter, says he, he murmured "sweet words of comfort...

Author: /time Magazine | Title: Love Duet | 1/5/1948 | See Source »

...turned down at first because originally it had no female roles), the audience in the Marinsky Theater received it with enthusiastic astonishment. Said one spectator: "What sort of opera is this? There's no music in it; but I must confess I never took my eyes from the stage." Russian critics and musicians regarded it with horror. Screamed one: "This is a disgrace to all Russia...

Author: /time Magazine | Title: Downhill to Fame | 1/5/1948 | See Source »

Vanity Fair is constructed like a revolving stage, where city & country and night & day whirl drunkenly together. In the foreground, a naked figure leans out of his window to peer through the gloom at Cain killing Abel in the sunlit distance...

Author: /time Magazine | Title: A Question | 1/5/1948 | See Source »

Last week's stage version managed to bury not only the deeper half but the whole of Dostoevsky's novel-giving it, as the only compensation, a highly picturesque funeral. Actor Gielgud's Raskolnikov can be enjoyed as a brilliantly mannered performance, but as a portrait it is worthless. Ackland's stage piece itself is like a translation that inserts innumerable adjectives while omitting all the verbs; it substitutes atmosphere for action, and theatrical color for dramatic force. The stage set-a cross-section of Raskolnikov's swarming rooming house-is a fine device...

Author: /time Magazine | Title: New Play in Manhattan, Jan. 5, 1948 | 1/5/1948 | See Source »

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