Search Details

Word: stage (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...Place of Patrons. It was a show calculated to arouse the same "strong attack of nostalgia" that had inspired Rathbone to stage it. To conservatives who might question the art quality of the packet-boat china, menus and bills of lading that Rathbone had interspersed among the river canvases, Showman Rathbone had a commonsense reply: "The first job is to get the people into our museums. The future of art belongs to them and not to the recherche group of the last century. The age of the private patron is gone, and the mass support required to take its place...

Author: /time Magazine | Title: Art: A Century of the River | 11/7/1949 | See Source »

After the breakup of the stage & screen team of the Marx Brothers (The Coconuts, Animal Crackers, A Night at the Opera), Groucho was on & off radio for ten years before anyone found him particularly funny on the air. Then Producer John Guedel saw him ad lib for ten minutes on a network show when Bob Hope accidentally dropped his script. Shortly thereafter Guedel put Groucho into You Bet Your Life. He still has some qualms: "Having Groucho as emcee of a quiz show is like using a Cadillac to haul coal...

Author: /time Magazine | Title: Radio: What Comes Naturally | 11/7/1949 | See Source »

Suggesting those legendary tales involving both an agonizing decision and the guts to see it through, Montserrat is a kind of moral duel between cynicism at its most brutal and idealism at its most impassioned. Both themes suit the stage, neither quite fills it, and Montserrat has been fattened up by giving the six pawns in the game their grim, gaudy exit scenes as people. As melodrama, Montserrat, though sometimes talky, is oftener tense. As writing, it has much of Adapter Hellman's sharpness and bite: in particular, her villain (well-played by Emlyn Williams) brings a fine sardonic...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Nov. 7, 1949 | 11/7/1949 | See Source »

...popular appeal. It is indeed the very pull of the thing that, for want of judgment, helps to pull it down. Thus, though the story has been greatly simplified, the effect is less movingly simple. For one thing, formal primitive speech often sounds stilted when spoken. But on the stage, sometimes a gesture is better than any speech; sometimes words don't need music, nor does music need all the stops pulled out. Too often in Stars a wave of honest feeling brings a backwash of sentimentality; too often the show feels that the more it dots...

Author: /time Magazine | Title: The Theater: New Musical Play in Manhattan, Nov. 7, 1949 | 11/7/1949 | See Source »

...stopped the selling. All night, brokers sent out frantic telegrams to the hundreds of thousands who had bought on margin, putting up as little as 10% of the cash price of the stock. Most of them had no more cash to put up to cover their losses. Thus the stage was set for Oct. 24-"Black Thursday...

Author: /time Magazine | Title: End of a World | 11/7/1949 | See Source »

Previous | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | Next