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Word: stage (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...which was to be installed in the conference room at Church House, did not work last week. In glass booths, marked "English," "French," "Spanish," interpreters were working merely for practice. The fourth booth, marked "Russian," was altogether empty. The Soviet Union had declined to attend the conference "at this stage...

Author: /time Magazine | Title: ECONOMICS: Translation Trouble | 10/28/1946 | See Source »

...Duchess could be far more impressive on the stage than it ever seemed last week. Even with Poet Auden's cuts* the play had, perhaps, to be slow of pace. But it did not have to be so barren of atmosphere or thin of texture. Nor need it have been acted, and frequently overacted, in so many manners with so little style. Only Elisabeth Bergner as the Duchess played with anything like stature. Passable in an important role, and using whiteface, was Negro Actor Canada...

Author: /time Magazine | Title: The Theater: Old Plays in Manhattan, Oct. 28, 1946 | 10/28/1946 | See Source »

...years has seen one or two changes in stage method and technique, and only a very brisk and inventive production-such as Broadway got 16 years ago with Miriam Hopkins, Ernest Truex and Sydney Greenstreet in the cast-can make Lysistrata's joke funny enough for a whole evening. Last week's all-Negro production never even got off to a promising start...

Author: /time Magazine | Title: The Theater: Old Plays in Manhattan, Oct. 28, 1946 | 10/28/1946 | See Source »

...never fared very happily in France. Though many a good French writer has tried to translate that least Gallic of poems, the first to make a first-rate job of it was Hamlet-like André Gide. Last week Gide's translation was superbly presented on the stage. Long before all the brilliance of Paris rose to cheer the play's swift, incisive three and a half hours, it was clear that tradition was dead & buried. From now on Hamlet was going to be happy in Paris...

Author: /time Magazine | Title: The Theater: Hamlet in Paris | 10/28/1946 | See Source »

Ibsen's "John Gabriel Borkman" is the third of the three plays to be offered by the newly formed American Repertory Theater during its Boston run. Although the A. R. T. was organized to bring to the American stage plays which otherwise might not reach the boards, one id tempted to ask, as with their production of "Henry VIII," why this particular play was chosen for revival. For aside from its value as a specimen of Ibsen's development as a playwright, "John Gabriel Borkman" is a sodden and scarcely believable play...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 10/25/1946 | See Source »

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