Word: stage
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Dates: during 1940-1949
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...stage seemed set for another Communist show trial. In the dock sat the accused, ready to plead guilty and to confess. On the courtroom wall, over the grey head of the comrade president of the tribunal, hung the Red star emblem with hammer & sickle, and under the flag was the portrait of the all-powerful leader. But the face of the leader seemed to have changed: it was not the slyly benign mask of Joseph Stalin; it was the square, rather brutal face of Josip Broz Tito...
...that could have happened only in Britain's House of Commons. "In these days," said Prime Minister Clement Attlee, from the government front bench, "75 is not a venerable age. People seem to be able to continue for several decades after that-yet 75 does mark a distinct stage in one's life. I am sure that we all rejoice to see the right honorable gentleman in full health and activity, and wish him many more years...
...C.G.I.L., Italy's Communist-dominated Confederation of Labor, tried to stage a one-day general strike. Purported reason: to protest the deaths of two peasants who had tried to seize idle land and been killed in battles with police. The strike was an even more dismal flop than the walkout staged by Communists in France last fortnight (TIME, Dec. 5). The Italian strike stopped the steel and auto factories of the north; it was partly effective in the ports, and in urban transport systems. Nevertheless, millions of workers ignored the strike order. Instead of being paralyzed, Italy felt only...
...hearing this piece of optimism, the A.S.M.E. also honored, as the year's best technical paper by an undergraduate, a piece of rocket-pessimism by George D. Lewis of the University of Connecticut. Engineer Lewis, who now works for Pratt & Whitney Aircraft Co., argued mathematically that a single-stage, chemically fueled rocket cannot escape from the earth's gravitation...
...fourth Mrs. Balanchine*) as the Firebird and Francisco Moncion as the Prince brought a touchdown roar from the audience. In the second scene, Balanchine managed to move the evil Kostchei and his 40 demons back & forth diagonally in four groups, so that City Center's scant (40-ft.) stage always seemed full of excitement but never cluttered. Throughout, it was the most stunning ballet production Manhattan balletomanes had seen in many a moon. With the final curtain, the audience set up the kind of clamor that let Choreographer Balanchine, Conductor Leon Barzin and the whole cast know...