Word: stage
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Dates: during 1960-1969
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...lights went up again and the orchestra filed offstage, leaving the audience murmuring in confusion. Suliotis had asked for an unscheduled intermission in order to pull herself together-and let the audience cool down a bit. It must have worked. She returned-eyes flashing, pacing the stage like a tigress-and finished the act with a fiery, rafter-ringing performance...
...recovery showed that Suliotis has the temperament of a true diva. She has the vocal equipment too-power, range, a rich, natural voice and a keen instinct for drama-but at this stage of her career it is marred by an occasional lack of control, exaggerated effects and some forcing at both extremes of her range. Also, she may be gambling with her voice's future by singing taxing roles at such an early age. Still, such all-or-nothing assaults on the heights are in the spirit of Callas' own career, and the older soprano may have...
...spewed brilliant flames and rose majestically on a flight that revitalized the lagging Apollo program and raised hopes that the U.S. may yet land men on the moon before 1970. Generating 7,500,000 Ibs. of thrust and one of the loudest sounds ever produced by man,* the first-stage engines lifted the 3,000-ton, 363-foot-high vehicle to an altitude of 38 miles and a speed of 6,100 m.p.h. only 21 minutes after liftoff. During this stage of the flight, the rocket, taller than the Statue of Liberty, could be seen as far away as Jacksonville...
Cutting in after the first stage was jettisoned, the liquid-hydrogen-fueled SII second stage fired flawlessly, providing 1,000,000 Ibs. of thrust and boosting the rocket to an altitude of 115 miles before it, too, was jettisoned. Now it was the turn of the third-stage S-IVB. Firing its engine, it inserted itself, the attached Apollo spacecraft, its service module and the lunar module-a total of 140 tons-into orbit, with an apogee of 119 miles, a perigee of 114 miles. It was an impressive demonstration that, after ten years, the U.S. had finally overtaken...
Shortly before How I Won the War opened in Germany, Director Richard Lester attended preview screenings before student audiences in Munich, Berlin and Hamburg. Afterward, he debated the film on the stage with politicians and writers. The results, he remembers, were sometimes quite startling. "One politician began shouting that 'the film is an insult to my English comrades in arms who fought bravely against us, at which point the students in the audience began chanting 'Sieg Heil!' in unison." Such outbursts were the sweet sounds of success for Lester. "Getting these points of view...