Word: stage
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Dates: during 1960-1969
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...Sanders Theatre was filled nearly to capacity with a pre-Game crowd of people that was just like anything you've ever read about in Salinger or F. Scott Fitzgerald. There they were: the Glee Club grads, the Princetonians up for the game, the dates of the boys on stage, all there to remind themselves how terrific it is to go to an Ivy League school. We may not be quite ready for the jet set, but are we ever the Golden Race...
...developed an over-the-horizon radar capable of tracking a missile from the moment of blast-off at Russia's Tyuratam ICBM complex; the new radar will be fully operational in February and will give Washington 30 minutes' warning of a potential attack. The new three-stage Spartan anti-ballistic missile will also increase U.S. ability to intercept any incoming missile...
...great granite edifice on Michigan Avenue in a stream of horse-drawn carriages. Inside, men stood and cheered as Adelina Patti sang Home Sweet Home, followed up with the Swiss Echo Song as an encore. President Benjamin Harrison, seated in a special box at the side of the stage, leaned toward Vice President Levi Morton and murmured, "New York surrenders, eh?" So it seemed that night in the magnificent hall, proudly proclaimed on the program to be "the Parnassus of modern civilization...
...landmark buildings of U.S. architecture. The marvel of its day, the Auditorium boasted the first central air-conditioning and heating system, the first "convertible theater" (huge ceiling panels dropped down to block off balconies, reducing the house from 4,000 to 3,000 seats) and a stage that could slide out to cover two-thirds of the orchestra. The acoustics were superb. "I would rather sing in the Auditorium than in any other hall in the world," said Tenor John McCormack, and Soprano Nellie Melba wished that she could "fold it up and take it with me everywhere...
...last week. Producer Paul Hager toned down some of the explicit sex and sociology of Hamburg's version, pointed up some of the opera's philo sophical overtones, and allowed Schul ler to reinstate a subtler ending, which the Hamburgers had cut. These modifications, and the new stage design -plus the impassioned singing of Bari tone Simon Estes in the lead - gave the story of a Negro lynching a harrowing touch of surrealism...