Search Details

Word: stage (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...students, Mrs. Washburn, explained, are in the professional stage of their academic training, but in Brazil their position is not distinguished from the undergraduate, as it is here. Each of the students, has been selected out of some 2000 applicants for their political and community activity...

Author: By Stephen D. Lerner, | Title: Brazilian Students, Peace Corpsmen Attend Course on American Politics | 7/19/1966 | See Source »

...first time since 1950 (with Stage Fright), Hitchcock has filmed a B-picture script. Screenwriter Brian Moore fails to create a well-motivated plot, or even convincing cloak-and-dagger device. Like most of Hitchcock's "adventure" films, as he describes them, Torn Curtain's script is built around set-pieces: climactic scenes like the Mt. Rushmore sequence in North by Northwest or the music-hall finale in The 39 Steps. But with one magnificent exception, a grisly murder scene that borders on the hilarious, Torn Curtain's set-pieces don't work...

Author: By Tim Hunter, | Title: Torn Curtain | 7/19/1966 | See Source »

...premise is finally revealed: without telling Andrews, physicist Newman plans to stage a mock defection to East Berlin to pry a formula from the brain of a Communist physicist, a formula necessary for the completion of Newman's own missile project. It becomes apparent that Hitchcock will use the nightmare world of East Berlin to test the lovers. Like many of his recent films, Torn Curtain is essentially a romantic character study, a realization that adds to the excellence of the first half of the film...

Author: By Tim Hunter, | Title: Torn Curtain | 7/19/1966 | See Source »

...farrago consists in its showing us in a straightforward way that war is a distinct emotion. One is in love; one is at war. To get that point across a director must give us, infant fashion, a moment-to-moment account of the emotion of everyone on stage, Giggles must end in sucked-in breaths of anguish and operatic voices must descend into fiish market bawl. Everyone on the stage last night seemed to have understood this perfectly, and if they did it is because the director understood it first...

Author: By Charles F. Sabel, | Title: Oh What A Lovely War | 7/15/1966 | See Source »

Taken as a whole, the musical numbers were the strongest part of the show. Mayer's Thing is blocking, moving the actors around on stage, and one gets the impression he would be happiest in the middle of a riot. The Agassiz stage is too small for Mayer's most exuberant pageantery, but he puts what stage space there is to fine...

Author: By Charles F. Sabel, | Title: Oh What A Lovely War | 7/15/1966 | See Source »

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