Word: stage
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Rauschenberg was hardly the first to apply real-world materials to a canvas or to jam disparate things together. Collage had been invented by Pablo Picasso, perfected by Kurt Schwitters and fetishized by the Surrealists. But they all practiced it on a more intimate stage. Working in the era of the Abstract Expressionists and their jumbo canvases, Rauschenberg built his works to a larger scale and gave them that industrial-strength name: combines...
...recycled. The e-mail addresses for the Class of 2007 became available for the Class of 2011 in the October following graduation.TECHNOLOGY OF TOMORROWSelsby said he could not discuss specific updates that IT may make in the upcoming year as many of these changes are still in the formative stage, but he added that improvements for both the Webmail server and for e-mail addresses may be rolling out in phases as early as this summer.One of the more dramatic changes that might take place next fall would involve a switch in the format of email addresses from...
...disaster on this scale could trigger revolutionary change. Aung Thwin says this could be "a make or break time," and that there have been signs that the regime realizes it will be held accountable for what happens next. At the same time, though, she says they're trying to stage manage the entire process, skirting the fact that even if they do have the will to do what needs to be done, they have neither the capabilities nor the resources to pull it off. For at the heart of the junta's fearsome "normality" is fear itself...
...turn sequence. The other group performances, however, did not measure up to the high standards set by the pas de trois. Jennifer S. Love ’09 gave a truly insipid performance of the “Russian Variation,” lacking flair and rhythm on the stage. “Neopolitan Dance” and “Swan Pas de Trois” were both charming but often sloppy and uneven.“Dance of the Four Cygnettes” was particularly disappointing. Though one of the most difficult pieces...
...Sweeney Todd: The Demon Barber of Fleet Street”—Stephen Sondheim’s big, bloody masterpiece of a musical—thrashes around on the stage with such furious glee that the idea of critique starts to look silly. Who has time to worry about little slip-ups when there’s so much murder to be done?So I mostly don’t care that Friday’s opening performance on the Loeb Mainstage, directed by Jesse A. Wiener ’08 and Jason M. Lazarcheck...