Word: stage
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...Mountain two years. Nuh-uh. It's the runaway years, when billion-dollar blockbusters like Titanic and The Lord of the Rings: The Return of the King get what are essentially People's Choice awards, and its makers wear a path in the rug from their seats to the stage. Moviegoers who are TV viewers don't want horse races; they want coronations - validations that somebody in Hollywood is ready to honor the movies they love...
...vengeful hussy. Rapists Demetrius and Chiron (Jason R. Vartikar-McCullough ’11 and Daniel R. Pecci ’09) are chillingly rambunctious and buffoonish in their cruelty. There is a particularly searing moment when they execute Lavinia’s rape scene completely aurally from off stage. The red-bandaged, mutilated Lavinia then staggers pathetically back onstage. The effect is shocking...
Often, poor directorial decisions contribute to the over-dramatization of the actors. In the case of blocking, the lack of acting off center stage makes the rest of the theatre seem cluttered with statues rather than actors. For example, when Titus renounces his children, one would expect his sons to be grief-stricken at both their father’s anger and their brother’s death. Instead, they expressionlessly examine the corpse as though it were a lab cadaver...
...premiere. Dancers clad in black moved against a fiery red background to the artificial sounds of a synthesizer to produce a striking effect. The rigid movements of the men contrasted powerfully and sensually with the women’s grace. The ballet “Emeralds,” staged by Heather Watts, featured the choreography of George Balanchine and solo performance of Amanda C. Lynch ’10. Lynch danced with remarkable poise, making full use of the stage as a flute and harp played in the background. The dancers’ dark green attire, provided...
...Bala ’09 and produced by Brittany C. Behrens ’08, the show tells the autobiographical story of composer Jon, who lives in an apartment in SoHo in 1990, and the crisis he undergoes shortly before his 30th birthday. As Jon, Mueller takes center stage for most of the scenes, serving as the emotional thread that ties the musical together. Although he occasionally stumbles on his lines, Mueller masterfully portrays Jon’s abundance of feeling through an impressive range of emotions that include hesitance, frustration, enthusiasm, depression, and hope. Trevor G. Frankel...