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Word: stageful (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...year-old Mrs. St. Maugham and the woman she hires as a companion for her sixteen-year-old granddaughter, Laurel. On the other level, the struggle is between the companion, Miss Madrigal, and Mrs. St. Maugham's old, and now infirmed, butler, Mr. Pinkbell, who never appears on stage. Since the companion is at the focus of both of these quarrels, it is on the strength of the performance of Miss Madrigal that "Chalk Garden" stands or falls, and at Tufts a girl by the name of Karen Johnson is doing a fine...

Author: By John Kasdan, | Title: 'Chalk Garden' at Tufts Arena; Karen Johnson in Starring Role | 7/23/1959 | See Source »

...black wig glossed by the footlights, the cleft-chinned, still slender actor moved across the stage with lithe vitality. In turn he flashed from eye-rolling jokester to grimacing pighead, from egotistic Roman hero to slack-jawed outcast. The actor: Sir Laurence Olivier, 52, first knight of the British theater and probably the greatest living English-language actor. The play: Coriolanus, William Shakespeare's least popular major work. The stage: Shakespeare Memorial Theater at Stratford on Avon, where critics are only too eager to fault the stars. But on opening night last week they agreed with the capacity crowd...

Author: /time Magazine | Title: THEATER ABROAD: First Knight | 7/20/1959 | See Source »

...privilege in the hands of those who had betrayed the revolution, who fed the country a "dogmatism . . . which corroded all ethical values." Scorned-as the author clearly felt that he and an entire nation had been scorned-his unnamed heroine retreats to the rough-hewn comradeship of the stage. After a triumphant performance in a theater crowded with her enemies, she collapses on her sofa in melodramatic tears, unable to solve the curt, inexorable questions that Djilas himself could not really answer: "Why? How? Whither...

Author: /time Magazine | Title: Books: I Grieve, Therefore I Am | 7/20/1959 | See Source »

Whatever one may think of this line of reasoning, it must be admitted that Berghof has succeeded in doing almost everything he set out to do. His production makes use of the fine two-story basic stage that Robert O'Hearn designed for the Cambridge Drama Festival's shows in Sanders Theatre. High up, Lester Polakov (whose costumes add much to the general lightness and brightness) has affixed a number of white, stylized orange-tree tops. And by having spikes driven into the poles, Berghof has enabled people to scamper up to a third level. In the garden scene where...

Author: By Caldwell Titcomb, | Title: Twelfth Night | 7/16/1959 | See Source »

...Viola-Aguecheek duel is lengthy (there must be five minutes without a word), but hilarious all the way. And to inspirit the combatants, Berghof has his Dancing Zany beat a drum during the dueling--an historically authentic touch. There are many other instances of inspired staging. And at the end, instead of having everyone exit and leave Feste alone to sing the closing song, Berghof brings everybody on stage, even Malvolio, and has each principal sing a solo bit as in a massed opera buffa finale...

Author: By Caldwell Titcomb, | Title: Twelfth Night | 7/16/1959 | See Source »

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