Search Details

Word: stageful (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

Neighboring Thailand and South Viet Nam strongly disapprove of Sihanouk's diplomatic recognition of Peking last July, but their differences really date back to ancient tribal feuds and jungle rivalries. South Viet Nam declares that Cambodia allows Communist Viet Minh guerrillas to cross its territory to stage raids in South Viet Nam; in retaliation, South Vietnamese troops picked up a border marker, moved it 1½ miles into Cambodia and threw a minefield around it. Thailand has given haven to opponents of Sihanouk. In a huff at these acts by his anti-Communist neighbors, Sihanouk accepted increased economic...

Author: /time Magazine | Title: CAMBODIA: Sour Note | 3/16/1959 | See Source »

...stage of Milan's La Scala one evening last week, Charles V, Holy Roman Emperor, mused about the futility of wealth and power. The aria, Oh! de' verd'anni miei, got hearty applause. After the curtain fell on the third act of Verdi's Ernani, barrel-chested Baritone Cornell MacNeil scurried back to his dressing room, where he signed his name to a La Scala option for next season. Then he dispatched a cable to his wife in Cliffside Park, NJ.: "We tore up the pea patch, doll...

Author: /time Magazine | Title: Music: Baritone in the Pea Patch | 3/16/1959 | See Source »

...Scala debut last week MacNeil was in typically impressive form: his rich, flexible baritone soared and swelled with enormous power; his acting had about it a quality of vibrant conviction that dominated the stage. Once he moved the house to bravos. Few in the audience realized that MacNeil was there for merely a one-shot appearance, was not given a rehearsal with the cast or orchestra. And few but La Scala's sharpest critical ears detected that MacNeil speaks no Italian, has to learn his roles by rote. Said MacNeil modestly: "There isn't much acting required...

Author: /time Magazine | Title: Music: Baritone in the Pea Patch | 3/16/1959 | See Source »

Joel Pitcoff at the piano, accompanied by drums and bass, did his best to cover up these scamperings on stage. He warmed to his work and his lively piano not only supported the choreography closely, but added much life to the show. The overture, while ably performed, did not have sufficient impact when performed on a single instrument...

Author: By James W. B. benkard and Bartle Bull, S | Title: Wonderful Town | 3/14/1959 | See Source »

While a necessity in the past, the Drumbeats kickline, although exhibiting the cream of Radcliffe, was, when on stage with Wonderful Town, almost too much of a good thing...

Author: By James W. B. benkard and Bartle Bull, S | Title: Wonderful Town | 3/14/1959 | See Source »

Previous | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | Next