Word: stageful
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Dates: during 1950-1959
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...Explorer space satellites. The Air Force sent a lunar-probe rocket 80,000 miles toward the moon, at year's end fired one Atlas intercontinental missile 4,000 miles, another the full distance of 6,300 miles, still another into orbit, brought the Thor IRBM into the training stage and the hands of combat troops. The Navy sent the nuclear submarine Nautilus under the North Pole, made huge psychological warfare headlines, opened up a new strategic frontier...
...Felsenstein, opera is a highly seasoned slice of life; to Wallmann, it is musical pie-in-the-sky. East Berlin's Turandot, staged by Felsenstein Protégé Joachim Herz but supervised by the boss himself, stressed naturalistic stage effects, an infinite concern for dramatic detail, and acting of startling realism. The curtain rose on an iron grille stretched across the proscenium, representing the palace gate separating the chorus of rag-clad Chinese from the palace courtyard, where one of Turandot's unsuccessful suitors was about to be executed. The mob faced the audience in silence...
...stretching space. The cast moved with the highly stylized, mincing grace of the traditional Chinese theater. The opera's few moments of pure horror, as when the executioner carries in the head of the Prince of Persia in Act I, were so skillfully blended into the fabric of stage movement that they were almost unnoticed...
...Atlas that went into orbit (see NATIONAL AFFAIRS) is technically called a 1½-stage rocket-a single engine plus ground-fired boosters. When its two booster engines stop firing, the main body, propelled by the central sustainer engine, flies out of the short cylindrical after-section that carries the boosters (see diagram). With the boosters gone, the sustainer engine has less dead weight to carry into space. In this particular model, the sustainer was designed to burn 13 seconds longer than in the regular models. Without this extra thrust, needed to put the Atlas into orbit, it would have...
...Baird turns clay models of his puppets' heads over to his 13 artisans for casting in plastic; there may be four or more versions of the same character to show his various stages and moods. In action, the creatures are handled by the Bairds (Cora plays all the female parts) and their company of four men. Though a puppeteer may handle as many as four characters at a time (including dancing marionettes with 27 strings apiece), the art requires less finger dexterity than uncanny ability to project voice and body down from the overhead "bridge" onto the stage. "Some...