Word: stageful
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Dates: during 1950-1959
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...missile will prolong the useful life of SAC bombers by enabling them to fire at targets 1,000 miles distant-from points outside an enemy's radar screen. Last week's shot, fired by a supersonic B58 Hustler (whose sonic boom startled beach residents) was a one-stage version of the new weapon. The two-stage version, fired for the first time a few days earlier, was launched from a B-47 at a target 700 miles away. The Bold Orion is 25 ft. long, 6 ft. in diameter. Upon launching, a long lanyard from the plane...
During Flower Drum's Boston tryout, when Nightclub Comic Larry Storch did not work out in the role of Sammy Fong, he was quickly replaced by a more experienced stage veteran, Larry Blyden. A sentimental song was cut, and Blyden's part was beefed up; Hammerstein spent two days writing the lyrics of a new song, and Rodgers retired to the Shubert Theater ladies' room (which during rehearsals was equipped with a piano) and wrote the music in less than six hours. (His record: South Pacific's Bali Ha'i, which he wrote in five...
...there is anything about the R. & H. paternalism that the Flower Drum cast dislikes, it is the installation of closed-circuit TV in the St. James Theater, where the show has settled down for its New York run. Not that anyone objects to the stage manager keeping track of the action. But Hammerstein has ordered a cable run to his town house so that he too can monitor the show. Says Larry Blyden: "It's like Big Brother looking over your shoulder. It gives me the willies...
...memorable works of the century as verse, as drama and as spiritual inquiry . . . The performance is magnificent." Comparing it to Our Town and On Borrowed Time for theatrical effectiveness, John Chapman of the News added: "A magnificent production of a truly splendid play." "Not only beautiful stage poetry," wrote the Post's Richard Watts, "but also a fine drama that is as emotionally moving as it is sensitively thoughtful...
...Cold Wind and the Warm transfers to the stage S. N. Behrman's memories of Jewish neighborhood life in Worcester, Mass. The author of many urbane comedies of ideas, Behrman here wives farce with feeling. If his characters in earlier plays (Biography, Rain from Heaven) seemed not so much human beings as assorted points of view, in The Cold Wind they are often not so much human beings as pieces on a racial chessboard. And in the many places where Behrman commemorates traditional Jewish characters enacting standard roles his play is both warm and entertaining...