Word: stageful
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Dates: during 1960-1969
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...jockeying began with a rare and unpopular demonstration of pro-Soviet support, staged in a downtown Prague meeting hall by the Czechoslovak-Soviet Friendship Society. It drew some 3,000 middle-aged and elderly citizens, the rank and file of a hard-line group sometimes called the Novotný Orphans, in honor of Stalinist ex-Party Boss Antonin Novotný. With some 20 Soviet officers seated on stage, the crowd applauded wildly as Novotný's former foreign minister, Vaclav David, called for "an open fight against antisocialist forces." Meanwhile, outside the hall, some 500 younger Czechoslovaks waited...
Arrangements for Arrival. But Thieu had already fired back through his Information Minister, Ton That Thien, who asserted that "at no stage, at no time" had Thieu agreed to the U.S. formula for negotiations (see box). And, added Thien, "We cannot win the war without the U.S., and the U.S. cannot win the war without us. The same applies to making the peace...
...rejuvenated Crimson basketball team will take advantage of the new Harvard freshmen and the Harvard-Yale game this weekend to stage a free demonstration of the Varsity against the Freshmen at 10:30 a.m. this Saturday at the Indoor Athletic Building...
...their first performance Miss Hahn's company appeared on an empty stage, against a dreary beige backdrop minus all lighting effects. The dancers began without music, illustrating the materials of dance while Miss Hahn provided the verbal explanations. They started with the most basic component: movement. Movement for dance, Miss Hahn said, must be defined in its broadest sense. "To limit oneself to certain movements which are supposed to be correct or beautiful [as classical ballet does] is to bar oneself from an infinitely varied world. The richness of dance lies in its ability to draw from the real world...
...demonstrate, dancer Joan Blackmer--next to Miss Hahn, the troupe's most mature and accomplished performer--rudely pushed a chair across the stage. Then she repeated exactly the same gesture without the chair: we had passed to mime. Finally, again without the chair, she abstracted the gestures, exaggerating them, extending the slow, speeding up the fast, using her whole body to carry out a movement which her foot or her arm had performed alone. Now we had dance. The company passed through the same elaborations to show the use of space, time, and energy. Finally, combining these elements and varying...