Word: stageful
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Dates: during 1960-1969
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WHEN the bombing-halt negotiations neared the final stage, Washington officials categorically refused to give interviews and, in some cases, even to take phone calls. For that matter, all but a select few had no firsthand knowledge of the frenetic, hyper-secret maneuverings. Said one participant: "Fewer men are fully clued into these contacts than were involved in the Cuba missile crisis...
Like all totalitarian regimes, the Soviet Union attempts to seize and shape the minds of its young at an early, formative stage. For the group between the ages of 14 and 28, the instrument to that end is the Communist Youth League, or the Komsomol. Last week, as early snow and biting cold embraced Moscow, thousands of Komsomoltsy marched through the capital to celebrate the 50th anniversary of their organization and to pledge, amid red banners and slogans, unsparing efforts in the struggle for Communism...
When TIME was already a fairly important magazine, Luce did not consider it beneath his dignity to appear at a businessmen's lunch and stage a quiz game to demonstrate the importance of accurate information. Later he was to write that the "invention" involved in TIME lay not in its brevity or in its principle of organizing the news but in its emphasis on the "instructive role of journalism." Still later, in early 1939, when he was displeased with the magazine, he complained: "Somehow it does not give the feel of being desperately, whimsically, absurdly, cockeyedly, whole-souledly determined...
...counterbalancing an overemphasis on cool rationality, much as a calcium-deficient child is moved to nibble plaster off the wall. Miss Terry's style of gut theater fits in with this new act-it-out, confrontation mode. But the excitement of real life does not transfer to the stage like a decalcomania. The endocrine charge is missing from Ranchman, leaving only some pleasant kids making a lot of sound and fury. To what avail...
...ALWAYS a cliche, most always a lie, to say that a director has somehow emancipated a play by taking liberties. So I won't say that, not exactly. What Timothy Mayer has done for The Bacchae is put it out of harmony with the stage conventions according to which it was written. He has emancipated it only from a narrow theatrical orthodoxy which insists on treating all plays of a given place and period alike, whose loyalty is to a set of rules empirically drawn from history rather than to the will of an author as unfolded in his work...