Word: stageful
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Dates: during 1960-1969
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...eloquence of the Apollo 11 trio provided the finest moments of Richard Nixon's elaborate state dinner in their honor. Nixon stage-managed the program for the ballroom of the Century Plaza Hotel, summoning the Marine Drum and Bugle Corps from Washington, decreeing that a song be written and performed for the occasion. The President himself approved the menu right down to the clair de lune dessert, a sphere of ice cream topped with a tiny American flag. Pat Nixon personally okayed the table decorations, which included gold napkins and cloths, flower centerpieces and twinkling five-pronged candelabra...
...illustration includes one of the key "Wake Up the Grader" phrases--"It is absurb." What force! What fall! What fun! "Ridiculous," "hopeless," nonsense," on the one hand; "doubtless," "obvious," "unquestionable," on the other, will have the same effect. A hint of nostalgic, anti-academic langour at his stage may well match the grader's own mood: "It seems more than obvious to one entangled in the petty quibbles of contemporary. Medievalists--at times indeed, approaching the ludicrous--that, smile as we may at its follies, or denounce its barbaries, the truly monumental achievements of the Middle Ages have become...
Whose Man? At the school for the Corps of Pages in St. Petersburg, Princeling Kropotkin began to learn of the Byzantine rituals of the Romanov court -attendance at court balls, parades, mess dinners, the opera, blood horses, mistresses and some fashionable adultery. But at some stage something went sour. Was it when his father came back from a campaign with a medal for gallantry on his chest? It turned out that the deed that won the medal was actually performed by father's batman. The feudal father saw nothing odd about this. It was his man, wasn...
...people. His energy, now revealed as anger, as self-pity, as melodrama, never flags: any needle in any vein to keep the show alive. He is the supreme impresario, diverting his own eyes and the world's from himself to his creations. If he could put King Kong on stage he would. As director he has no respect for the conventional limits of stage and theater. All the world is a prop to him, and there is always the suspicion that when, as he does in Job, he brings a telephone booth or a Coke machine on stage...
...misled by these devices into doubting the seriousness of Mayer's purpose. The wail of fear drones in the songs (some of which, like "Cat Scratch Fever," recur in his shows as anthems), in the abruptness of the pacing and in the roller-coaster whirling of the stage machinery. In Job as in Jesus the references, the allusions, the modulations of mood may be too rapid--the whole production too visually and verbally dense--to be digested at one sitting. And it may be, too, that Mayer's profound sense of privacy may forbid him from ever making the more...