Word: stageful
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Dates: during 1960-1969
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...leftover of the old Progressive era, the device allows citizens, by a two-stage process of petition and referendum, to oust an incumbent. Rarely attempted seriously, recall did unseat a Los Angeles mayor...
...language of the Apollo 10 crew was indeed more earthy than any previously broadcast from space. But the lapses were understandable. When Snoopy began gyrating wildly after its descent stage had been jettisoned, an alarmed cry of "Son of a bitch!" escaped from the startled Cernan. As Astronaut Stafford was preparing to take black and white pictures during Snoopy's low pass at the moon, he suddenly shouted: "You know, this goddam filter has failed on me." Finally, at the end of the day, a ground controller asked: "How are you guys doing?" The reply: "The crew status...
Vienna's operatic tradition is not only honorable but ancient. It dates back to the reign of music-loving Emperor Leopold I, who in 1659 tried to distract his subjects from problems of the plague and the Counter-Reformation by staging Italian opera at his court. The royal theatricals became a showcase for the works of such musical immortals as Gluck, Mozart, Haydn, Beethoven and Schubert. Toward the end of the 19th century, Composer-Conductor Gustav Mahler ushered in another Golden Age of Viennese opera by stressing dramatic stagecraft as well as musical excellence in his productions. The years...
...Acoustically, the theater itself is a marvel. Yet even Vienna's chauvinistic critics will concede that artistic standards at New York's Met and Milan's La Scala are at least as high. More exciting days, though, may be ahead. Next year Bernstein and the Viennese stage director Otto Schenk will collaborate on a new production of Fidelio. Also scheduled are expensively mounted revivals of Verdi's Macbeth, Gluck's Iphigénie and such relatively little-known works as Smetana's Dalibor and Gottfried von Einem's Der Prozess...
...city's place in operatic history, Viennese Music Historian Marcel Prawy said last week: "Where is there a house in which the orchestra plays from scores that carry the personal annotations of Mahler, Richard Strauss and Herbert von Karajan? Where is there a house where each stagehand and stage technician has undergone an apprenticeship under masters whose teachers themselves form an uninterrupted chain through four generations? And where else is there a house where ushers greet each lady or gentleman by saying 'Küss" die Hand [I kiss your hand]' with a deference that dates straight...