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...People tend to approach me with Asian-America scripts now,” she said, but she refuses to be boxed into producing a specific kind of film. Currently, she is working in the post-production stage on an untitled film focusing on the earthquake in Haiti and is also starting to work on a film that may serve as a prequel to “Children of Invention...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Film Producer Discusses Career Over Dinner | 3/2/2010 | See Source »

Both creators of “Hypermusic Prologue” graced the stage of the New College Theater on February 24 to participate in one of two discussions titled “Two Talks: The Art-Science Nexus.” The event, which was sponsored by the Office for the Art’s Learning From Performers Program, shed light on the creative process behind “Hypermusic Prologue” and the challenges of translating such abstract subject-matter to the stage...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Opera Boldly Goes to Uncharted Dimension | 3/2/2010 | See Source »

...determined to explore new, unseen dimensions. As she proceeds to cross over into the fifth dimension, the opera seeks to convey this journey by exploring new musical and dramatic territories. Much of the discussion focused on how Parra and Randall translated these new scientific theories to the stage through musical innovations...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Opera Boldly Goes to Uncharted Dimension | 3/2/2010 | See Source »

This production will also be making some adaptations to the set design from the original script, presenting the play on a tiered set to emphasize the familial divisions that define the show’s central conflict. The audience will be seated on three sides of the stage, creating a more intimate setting. “I really want it to feel very immediate to people because these are very immediate and personal issues,” Feldman says...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Five Finger Exercise | 3/2/2010 | See Source »

...Lowell House Opera (LHO) production of “Tosca,” stage directed by Michael A. Yashinsky ’11, with music direction by Channing Yu ’93, sets Giacomo Puccini’s famously bloody tragedy in Fascist Rome—a good choice, since the political connotations are undoubtedly clearer to contemporary audiences than those of Napoleonic Rome, its original setting...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: LHO Reenvisions 'Tosca' in Fascist Rome | 3/2/2010 | See Source »

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