Word: stagehands
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Dates: during 1970-1979
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...were making faces before an imaginary mirror. Too many years before the camera, perhaps, where her superbly expressive face, particularly her eyes, have been her fortune. A deeper defect is that she projects no wifely warmth or maternal affections. She treats Papa (George Hearn) like a stagehand who has wandered onto the set, and acts like a coolly efficient career woman with five pressing memos in front of her instead of five adoring children...
...course had to build scenery and sell tickets.) Eventually the rich kids down the street, unmitigatedly evil and oversized in their velvet Fauntleroy suits would come around to tear down the stage and abduct Darla. Like little well-dressed Huns they would attack until sandbagged by the faithful stagehand Buckwheat or popped in the eye by Captain Spanky. In these Depression allegories, the bullies always ended up running, torn and muddied, back to their monocled mamas while the Rascals had a champagne victory party of Moxie and jellycakes...
...visa in 1947 and settled in San Francisco. He recalls: "I had no commitments, no obligations, no money−nothing but opportunity." He made the most of it. To put himself through the University of California at Berkeley, he worked as a janitor, a movie ticket taker, a stagehand, a casino shill. After graduation, he enrolled in the Woodrow Wilson School of Public and International Affairs at Princeton. Within five years, he earned three degrees, including a Ph.D. in economics...
Repertory Gamut. For the past 16 years, however, he has managed to confine his energies to the Dallas Theater Center, where he has served as stagehand, ticket taker, director and actor, running the repertory gamut from Julius Caesar-he played Brutus-to A Streetcar Named Desire...
...quietly. A large man padded gracefully in and paused behind the standees at the rear of the orchestra floor. He peered intently at the stage and listened. His blue shirt was open at the neck, and over it he wore a bright red cardigan. He could have been a stagehand out for a stroll. Instead, James Levine, the new music director of the Metropolitan Opera, was making his rounds. It was the season's last performance of The Barber of Seville. Levine had seen and heard it countless times before. That did not matter to the man charged with...