Word: staggers
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Dates: during 1960-1969
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...Shelters. The attack marked the 25th time in 38 days that rocket or mortar clusters had hit Saigon, and there are no longer any safe areas in the city. Each rocketing and each allied effort to dig out attacking Communist ground units cause fresh destruction and new refugees who stagger from the shattered homes, clutching meager possessions, dragging or carrying tearful, terrified children. Hospitals are packed-some 4,800 civilians have been treated for wounds since early May and refugee centers overflow under the tide of the more than 160,000 people made homeless in the past six weeks. Schools...
...bean-and-lettuce country celebrated by Steinbeck, leather-handed migrant workers?some of them Latin-Americans, whose 2,000,000 poor rank second only to Negroes in the U.S.?work the fields and wreck the saloons in an epic cycle of productivity and degradation. Many men stagger into the fields to chop weeds for $1.40 an hour until they have enough for another binge. Others grind out an endless season of stoop labor to keep their families barely abreast of the poverty line...
...with Oakland. The scoreboard clock read only three minutes to play when Chicago's Bobby Hull swooped in from left wing and scooped up the puck. Whoosh! he flashed across the Oakland blue line. Wham! he absorbed a brutal check from Seal Defender George Swarbrick that seemed to stagger him. Hull's shoulders sagged, his curved stick came up, and for the briefest instant, Swarbrick relaxed. Whap! Hull's stick slashed downward; 25 ft. away, Goalie Hodge could not even begin to react as the rock-hard rubber disk, traveling at better than 100 m.p.h., whistled past...
...disorganization: breaks between acts stretched out to 45 minutes, while bumps, crashes and muffled Italian curses were heard through the curtain. The productions themselves often recalled the bad old days when tempos dawdled indulgently, singers postured in front of improbable sets and acting was of the clutch-sob-and-stagger school. But by sticking to the 19th century Italian repertory and putting it over with some splendidly full-throated singing, the company also evoked the good old days, when Verdi and Puccini called La Scala home, when such singers as Enrico Caruso and Adelina Patti blossomed there and Conductor Arturo...
...play's chief aim," Sade observes, "has been to take to bits Great Propositions and their opposites." On the emotional plane, however, there is no doubt about who wins. The inmates set up a mad clamor for Marat's cause. Drooling, twitching, cross-eyed, filthy, they stagger about the stage like broken bugs. "We want our revolution," they croak in cracked chorus...