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Word: staging (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Even Kosygin accorded center stage to his recuperating host. After reading a bland opening statement, he turned and asked: "Did I do all right?" Replied Ayub: "Well done...

Author: /time Magazine | Title: Pakistan: Consolation Prizes | 4/26/1968 | See Source »

...little less to be seen-a handful of singers and players, one slightly overweight conductor, and a compact bundle of slats, screws and canvas that weighed scarcely more than a ton. But when the slats and canvas were screwed together into a miniature Neapolitan theater on the stage of Carnegie Hall, the audience found plenty to admire...

Author: /time Magazine | Title: Music: Pioneering the Old | 4/26/1968 | See Source »

THIS month marks the 276th anniyersary of the first performance of The Fairy Queen before the London rabble. Only Restoration England, as yet uneducated to the subtleties of durchgesungen Italian opera, was capable of producing such an amalgam of song, dance, pagentry, stage effects, and the spoken word--a truly bastard form of entertainment. This particular work is a castrated adaption of A Midsummer Night's Dream liberally interspersed with incidental music in the form of solo songs, ensembles, choruses, and instrumental pieces. With taste and dramatic rectitude thrown to the winds, extravagance is its only excuse and sole salvation...

Author: By Robert G. Kopelson, | Title: The Fairy Queen | 4/24/1968 | See Source »

...class tone that was instant comic relief. Tenor Larry Bakst, looking more embarrassed than most in his sparse neo-Athenian garb, nonetheless gave out a pure, well-modulated Russell Oberlin-like sound that was the surprise joy of the evening. The chorus acquitted itself energetically, though its acting and stage deportment matched the sophistication of dollar-a-day extras in Italian gladiator flicks...

Author: By Robert G. Kopelson, | Title: The Fairy Queen | 4/24/1968 | See Source »

...careful tuning of the vocal apparatus. In another production Susan Larson as the Princess might have been called on to exercise the comic talents which she hinted at. Jacqueline Meily, the scheming Lady Blance, would have done better with firmer direction, for she apeared a trifle timid on stage. Barbara Menaker had more success as Lady Psyche, Miss Menaker being another one of those whose acting was twisted into an excessive show of will. Musically the show was a tour de force. The score is interesting enough to justify a detailed treatment impossible here, for it is at once...

Author: By Charles F. Sabel, | Title: Princess Ida | 4/20/1968 | See Source »

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