Word: staging
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Dates: during 1960-1969
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...observer if not a disinterested one as head of the vast Fiat enterprises, calls the latest schism "the death knell of Italian Socialism." Adds Agnelli: "In the future, the Socialists can only be complementary to a government." They will still have parliamentary seats, still occupy a place on the stage of Italian politics. But their role like that of the monarchists, for instance, is not likely to be central...
...keep her out of the public eye. There was nothing she could do, though, about the exhibit opening last week at Manhattan's Museum of Modern Art, which paid her the honor of exhibiting 65 photos of Hepburn in many of her greatest roles. There she was, the stage-struck young beauty in 1933's Morning Glory, the prim but game Rosie in 1951's African Queen, the indomitable Eleanor of Aquitaine in 1968's The Lion in Winter. Yet nothing could capture the essential Hepburn better than her pose in the 1939 Broadway production...
...Bauhaus that Moholy's career took its essential form. If Gropius was the founding father, Moholy was the radical activist who translated idea into experiment. His assignment was the metal workshop, but by no means did he confine himself to metals. Murals, photography, films, ballet and stage designs, light and color, typography and layout all commanded his attention. He experimented with plastics in a day when they were considered a poor substitute for genuine materials, painted on aluminum, created complicated "light-space modulators" (see color opposite) that anticipated the light and kinetic sculptures of the 1960s...
Last week Moholy's rare gifts as teacher, artist, designer and intellectual stimulus were remembered in a 127-piece retrospective exhibition at Chicago's Museum of Contemporary Art.* On view was a wealth of paintings, constructions, photographs, films, typographic and industrial designs touching upon every stage of Moholy's development as an artist, and documenting his conception of art not as object but as pure functionalism...
Chicago's Ravinia Park music festival looked like an Eastern bazaar. Strewn around the stage one evening last week were 47 pieces of Western and Ori ental hardware: four full-grown timpani, four little timpani, three barrel drums, nine objects that resembled brass flower pots (they were Buddhist prayer bells), an array of bamboo, glass and wooden utensils, and lots and lots of gongs...