Word: staging
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Dates: during 1970-1979
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DIED. Julio de Diego, 79, Spanish-born artist whose vivid paintings of sinister battle scenes and mechanistic landscapes are in the collections of major museums; of cancer; in Sarasota, Fla. Diego left home at 15 to apply his brushes to everything from inn signs to stage sets. In 1924 he emigrated to the U.S. and worked as a fashion illustrator before achieving success as a muralist. For seven years Diego was married to Burlesque Queen Gypsy Rose...
...world at large. Biographer Tom Dardis traces this response back to Keaton's childhood. Not long after his birth in 1895, he joined his parents' vaudeville act. The routine evolved by the Three Keatons consisted chiefly of father kicking and bashing son around the stage. One reviewer in 1905 complained about the "tiresome use of the child's body for the wiping of the stage floor." As Buster grew, so did the level of showtime violence, and the only way to keep audiences entertained without frightening them was for the little boy to look utterly removed. Keaton...
...film has some assets: attractive Upper West Side locations, a fine cast of New York stage actors and a smattering of clever lines. The basic premise is sound too: When School Chums Jamie and Franny get sick of their respective bickering parents, they run away to spend an illicit weekend acting out the fantasies of romance, something that is absent in their homes. While this plot offers plenty of opportunities for big laughs and emotional ironies, the film rarely mines them. Most of Rich Kids consists of mild scenes that sound better in principle than they play onscreen...
Though Brook has brought more new ideas to the stage than any other contemporary director, his film-making skills remain primitive; even his adaptations of his own brilliant theater productions (King Lear, Marat/Sade) have been flat. Here he is hobbled by lapses in continuity, fake-looking studio sets and a multinational cast. The scenery, much of it shot in Afghanistan, is breathtaking, but the photography is routine. What is needed is some sort of theatricality-if not the forthright vulgarity of DeMille, then at least the romanticism of David Lean. With its incongruous mix of radical content and stodgy style...
...indeed has, paradoxically, brought him less public acclaim than he might have received had he stuck to one. Bowles, 68, has been a distinguished composer; in 1947 Musician Virgil Thomson called him "America's most original and skillful composer of chamber music." He has written music for the stage, particularly for the plays of his friend Tennessee Williams. He has also been a tireless collector of folklore and legends, especially from Morocco, where he has lived on and off since the early 1930s. There he and his wife, the late novelist Jane Bowles, presided over a lively colony...