Word: staging
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Dates: during 1970-1979
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Fiedler's widow, Ellen Bottomley Fielder, and her children attended the service, as did friends and members of the Boston Symphony Orchestra (BSO) staff. "People from all walks of life, the Boston Symphony, the Pops, the trustees, all the symphony's stage employees, his chauffeur, and ushers were there," Dickson, assistant conductor, said yesterday...
...LOEB'S production of Lulu is the perfect portrayal of a nightmare. The stage is draped in red. Characters float in and out and die while piano rags tinkle soothingly in the background. As in all nightmares, there is no interior logic, just a disembodied series of sketches that provoke mingled horror and impatience at their very disjointedness. For all the melodrama, stabbings, shootings, spurting of blood and impassioned speeches, the play leaves one fundamentally cold. And Frank Wedekind probably wanted it that...
Marley is a small thin man against the background of a huge soundstage, but from the first moment he, his two-and-a-half foot dread locks and his dozen-or-so band members walk on stage, 15-20 thousand people focus on him. The concert is billed as a festival of unity, and at this first moment Marley and his crew seem to be successful. All eyes see a man who is both a genius and so stoned he seems about ready to fall over. He sings "Rastaman Vibration." The audience, which was seated until Marley walked on stage...
Marley was once shot and wounded for his political activity in Jamaica. Consequently, at this concert everyone was checked by a metal detector on entering the stadium. Fifty security men surrounded Marley as they escorted him to and from his post-performance press conference. When Marley is on stage, there is unity, but when he is offstage there is fear. When he starts playing, he is bigger than life, when he stops he is again vulnerable, and those around him seem to know this. There is a customary search before many rock concerts, but at Marley's the search...
...fresh cadavers without delay and serving them up as meat pies. With Angela Lansbury and Len Cariou in peak performances, Sweeney Todd is a classic example of the remarkable virtuosity and range of the U.S. musical when it is in the hands of two flamboy ant masters of the stage, Director Harold Prince and Composer-Lyricist Stephen Sondheim. It is also the closest Sondheim has come to writing an opera, albeit dark, cynical and morbid...