Word: staging
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Dates: during 1970-1979
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With Radcliffe settling into a new shell, working relatively new oars with more confidence and mastery than had been seen in the Dartmouth race, using a new, quick start to help counter the strong Eli opening blast and enjoying a bit of homecourse psychological advantage, the stage is set for an explosion at Weld...
...personae are the languishing leisure class engaged in social masquerade: "How are we to have any self-respect," complains the fraudulent investor, "if don't keep it up that we're better than we really are?" And to top it off, there is mad Captain Shotover endlessly traversing the stage in search of the seventh degree of concentration, leaving behind him a wake of nonsensical criticism, and them harrumphing back across the stage with still more. Yes, Heartbreak House is a madhouse--but it is England as well...
...tender heart and all the wisdom of the playwright himself. Although Shotover is the ultimate source of chaos, confusing Mazzini Dunn for Billy Dunn, ignoring the arrival of his long-lost daughter Lady Ariadne Utterword and spewing forth random comments as he wanders aimlessly on and off the stage, the Captain is the only one who remains oblivious to the frenzy of Heartbreak House: "I've stood on the bridge for 18 hours in a typhoon," he declares. "Life here is stormier; but I can stand...
...change costumes roughly five times apiece to portray seventy-eight characters. The most demanding role is that of the narrator-ringmaster, who appears in five different guises, including Voltaire himself. Some of actor William Falk's lines had to be recorded to allow him time to race around the stage and transform himself into another character. Falk seems to be able to handle the various singing styles and characterizations, but the costume changes at times overwhelm him. Right: The Cilbert and Sullivan Players continue their production of "Princess Ida" this weekend at Agassiz. Below: Voltaire's comedy "Candide" goes...
...devote their energies to making noises, but they're not Shakespeare's. Walter C. Hughes's Romeo has good looks but no ear for the verse in the play, so he sobs a lot. Shannon Gaughan's Juliet is only slightly better; she varies the noises emanating from the stage by introducing several whines. They do this production in Shirley Wilber as Juliet's nurse seems to be the only performer with some sense of how to present this play. Romeo and Juliet argues for the power of words to create something out of nothing, but these performers...