Word: staging
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...imperious King clown (Gordon White) leads his vigorous aides-de-camp (Christian Fitzharris and Jimmy Slonina) strutting through the crowd before the performance and, during it, dragging volunteer victims on stage for some not-so-innocent merriment. In one prize bit, White is seen fainting from exhaustion and Fitzharris leans over him to give him the breath of life; as the kiss gets more amatory, Slonina avidly cranks an invisible camera and cheap disco music fills the air - it's the first Cirque de Porno. There's also a cast member in a yellow shaggy-dog suit who trots...
...Tyus). This Jack-be-limber cues an instant circus fantasia: 16 scamps in parade regalia (gold jackets, white pants, red fezzes) who launch into a charivari - the kind of tumbling act that populates your most soaring dreams, where you feel graceful and defy gravity. At the rear of the stage there's a three-story bandstand, which goes unnoticed until one of the chorines dives from its top, maybe 40 feet high, into a soft tarpaulin held by the burlier performers. A girl and a guy demonstrate that giant beach balls are not for throwing but for dancing on: Fred...
...from elementary school.” The mood was social and collegial as spectators cheered on friends and dormmates; Duc P. Luu ’12 of Thayer was greeted with a rousing “Quack, Quack, Quack” from his cheering squad as he took the stage to successfully spell the word “donnybrook.” The words increased in obscurity and difficulty as the competition wore on, with more common words such as “retaliate” eventually giving way to lexicographical oddities such as “cummerbund...
...very internal.” The music accompanying the pieces ranges appropriately from popular music to opera arias. Some of the musical compositions are original, and one part of the show is accompanied by nothing but the breath of jazz singer, saxophonist, and flautist Stan Strickland. Even the stage does not constrict the choreographer’s vision; she sets an aerial number—or, as she puts it, a “movement portrait”—in the open air. Certain unifying factors, however, hold the entire show together. “There?...
...their capacity for compassion, their belief in hope and possibility. In all likelihood, the only people attending Susan Boyle’s live performance genuinely surprised by her abilities were members of the audience. The idea that Cowell did not know exactly who Boyle was before she came on stage, what she was capable of, and how she might perform, is entirely unbelievable.The same goes for the contestant who is widely predicted to be her fiercest competition, 12-year-old Shaheen Jafargholi. If the concatenation of events that led to The Susan Boyle Phenomenon seemed slightly improbable, Jafargholi?...